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A Point of View - Why we should be religious but not spiritual - 麻豆约拍 Sounds

A Point of View - Why we should be religious but not spiritual - 麻豆约拍 Sounds

A Point of View

Why we should be religious but not spiritualWhy we should be religious but not spiritual

Released On: 23 May 2014

Available for over a year

Tom Shakespeare argues that we should be religious but not spiritual.

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A Point of View
Why we should be religious but not spiritual
Tom Shakespeare argues that we should be religious but not spiritual.
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A Point of View
Should we be frightened of disability?
Tom Shakespeare argues that we have nothing to fear from disability.
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A Point of View
Bring Back the Heptarchy!
Tom Shakespeare asks if England should consider returning to an earlier order.
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A Point of View
No Burning Required
As libraries close, AL Kennedy argues that we must reassess the importance of books.
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If You Haven't Got Anything Nice to Say...
AL Kennedy argues for a world with less gossip.
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A Point of View
Battling the Botnets
AL Kennedy asks if it is time for us to rethink our devotion to computers.
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A Point of View
To See Ourselves
AL Kennedy explores the downsides of personal and national introspection.
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A Point of View
Isis: A modern revolutionary force?
John Gray argues that the Sunni extremist group Isis is revolutionary, not reactionary.
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A Point of View
Believing in reason is childish
John Gray argues that the belief in human reason is more 'childish' than religious faith.
10 mins
A Point of View
Is patriotism the last refuge of the scoundrel?
Will Self reflects on what really lies behind our sense of patriotism.
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A Point of View
The Changing Nature of Utopias
Will Self reflects on what the changing nature of utopias says about us.
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A Point of View
Believing in Beliefs
Will Self offers a weekly reflection on a topical issue.
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A Point of View
The Affliction of Consumption
Will Self reflects on the power of modern-day consumption and the effect it has on us.
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A Point of View
What's Funny?
Will Self reflects on comedy, asking what really makes us laugh.
10 mins
A Point of View
Why Orwell Is the Supreme Mediocrity
Will Self takes on one of the nation's best-loved figures, George Orwell.
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A Point of View
When fiction comes to the historian's rescue
Lisa Jardine on how fiction can be more useful than fact in helping us understand the past
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A Point of View
The Horror of War
Lisa Jardine says commemorating a war should not mean losing sight of its horror.
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A Point of View
Red Dress Sense
Red may be now fashionable, but in the past it was powerful, reflects Lisa Jardine.
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A Point of View
Keeping Time
Lisa Jardine reflects on the history of timepieces and the power of clocks and watches.
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A Point of View
Short and Successful
Adam Gopnik thinks there is a simple reason why short men enjoy stable marriages.
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A Point of View
Dying with Dignity
Adam Gopnick thinks we fail all too often to let people die with dignity.
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A Point of View
The Football Fallacy
Adam Gopnik explains why the English are better at watching football than at playing it.
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A Point of View
A Lesson from Love Locks
Adam Gopnik draws a lesson on the nature of love from the eyesore of love locks in Paris.
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A Point of View
Cures for Anxiety
Adam Gopnik identifies four different types of anxiety that afflict modern people.
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A Point of View
Capitalism and the Myth of Social Evolution
John Gray reflects on why the advance of capitalism is not inevitable.
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A Point of View
Soylent and the Charm of the Fast Lane
John Gray explores why human beings crave busy lives.
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A Point of View
Dostoevsky and Dangerous Ideas
John Gray points to lessons from the novels of Dostoevsky about the danger of ideas.
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A Point of View
Thinking the Unthinkable
John Gray argues that 'thinking the unthinkable' means exaggerating fashionable beliefs.
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A Point of View
Faking It
Roger Scruton muses on the difference between genuine art and that based on fake emotion.
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A Point of View
Kitsch
Why the fear of producing kitsch art has led to a new kind of pre-emptive kitsch.
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A Point of View
Art: The Real Thing
What constitutes real art, as opposed to kitsch or that based on fake emotions and cliche?
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