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In summer 1993, Thomas Harding travelled to Germany with his grandmother to visit a small house by a lake on the outskirts of Berlin.

It had been her ‘soul place’ as a child, she said – a holiday home for her and her family, but much more – a sanctuary, a refuge. In the 1930s, she had been forced to leave the house, fleeing to England as the Nazis swept to power. The trip, she said, was a chance to see it one last time, to remember it as it was.

But the house had changed. Nearly 20 years later Thomas returned to the house. It was government property now, derelict, and soon to be demolished. It was his legacy, one that had been loved, abandoned, fought over – a house his grandmother had desired until her death. Could it be saved? And should it be saved?

He began to make tentative enquiries – speaking to neighbours and villagers, visiting archives, unearthing secrets that had lain hidden for decades.

Slowly he began to piece together the lives of the five families who had lived there.. All had made the house their home, and all – bar one – had been forced out. The house had been the site of domestic bliss and of contentment, but also of terrible grief and tragedy. It had weathered storms, fires and abandonment, witnessed violence, betrayals and murders, had withstood the trauma of a world war, and the dividing of a nation.

As the story of the house began to take shape, Thomas realised that there was a chance to save it – but in doing so, he would have to resolve his own family’s feelings towards their former homeland – and a hatred handed down through the generations.

Omnibus of five parts.

Producers: Peter Hoare & Joanna Green

First broadcast on Â鶹ԼÅÄ Radio 4 in January 2016.