Βι¶ΉΤΌΕΔ

The Debussy film debuts

18 May 1965

Image: Oliver Reed as Debussy with Audrey Searle as Madame Vasnier.

The Debussy Film was first shown as a Monitor Special on 18 May 1965. It was directed by Ken Russell and highly anticipated after his treatment of Elgar, Prokofiev and Bartok. Russell’s take on Debussy was his most experimental piece to date, stretching the bounds of television and showing some of the flamboyance that marked his later cinematic work. Its multi-layered structure featured a film unit making a film about Debussy, as well as stylised visualisations of the composer’s music. Writing in the Radio Times, Russell said:

a life as complex and enigmatic as that of Debussy seemed to call for… something that bound the hallucinatory state of his mind to the dream-like quality of his music.
Melvyn Bragg recalls the origins of The Debussy Film in "Ken Russell: A bit of a Devil" first shown on Βι¶ΉΤΌΕΔ Two.

Russell attempted to show how Debussy’s music was written against the turmoil in his personal life. Oliver Reed played Debussy while Annette Robertson, Iza Teller and Penny Service were the women in his life. Vladek Sheybal played both Debussy’s friend and the Director of the film within a film. In the script by Russell and Melvyn Bragg, Sheybal offered a constant commentary on the problems of creating an accurate portrait.

Russell continued to work for the Βι¶ΉΤΌΕΔ and in 1968 made Song of Summer, about Delius, generally seen as the highpoint of his television output and Russell’s personal favourite. Before his death in 2011, Russell had completed almost 50 television films.

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