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Controversial Play Over the Bridge is 50

Arts Extra Blog Admin | 19:58 UK time, Sunday, 24 January 2010

thompson.jpgFifty years ago tomorrow on Tuesday the 26th January 1960 a play opened in Belfast which shook the theatre world here to the core.Ìý

The play was "Over the Bridge" by former shipyard worker Sam Thompson.ÌýHe started writing it inÌý1955, set in theÌýshipyards he had worked in since he was 14. The play was a bald study inÌýthe clash of trade union officialsÌýfaced withÌýsectarian conflict.

It would be nearlyÌýfour years before Thompson's playÌýwas accepted by a theatre. It's said that when Thompson met the actor James Ellis, then the Head of Productions at the Ulster Group Theatre, he remarked that nobody would touch the play with a bargepole.

Ellis had the bargepole. And started rehearsals.ÌýBut with just a fortnight to go before it opened, the play wasÌýbanned. ItÌýmade front page news.Ìý

When EllisÌýheard that the Board of the theatre had withdrawn the playÌýciting that Ìý"it is the policy of the Ulster Group TheatreÌýto keep political and religious controversies off our stage",Ìýhe did what he had to do to keep said controversies on "our stage". He resigned, and left the Group theatre, along with many others,Ìýto set up a new company, Over the Bridge Productions, whichÌýstaged the play in the Empire Theatre Belfast on the 26th January 1960.

Apparently Brendan Behan sentÌýSam Thompson a congratulatory telegramÌýon the night. Like Behan, ThompsonÌýtrained as aÌýpainter and spoke out passionately against the systemÌýbefore becoming a playwright. Ìý

Do you ever wish for a time machine toÌýhave been there that night?ÌýThe closest I can get to it is talking to the people who were.ÌýJames Ellis is comingÌýover from hisÌýhome in England to talk to me about this quite extraordinary time in Northern Ireland's cultural history for an Arts Extra special tomorrow.Ìý

And in a kind of time travel, joining him will be Belfast playwright Martin Lynch who has updated the original play for 2010 which will be premieredÌýin the Spring.

By the way, ifÌýyou're in and around East Belfast tomorrow, to mark the dayÌýan plaque is being unveiled at the location of the house where Sam Thompson was born. It will take place atÌý11am at Montrose Street South, Ballymacarett.

And James EllisÌýis the man doing the unveiling,Ìýopening the curtainÌýonce again on a local writerÌýwho told it as it wasÌýwhen politics and religion clashed.

Comments

  • Comment number 1.

    'pologies, missed all but the tail-end of this.

    I understand the play was adapted for television by ITV as a Play of the Week in 1961. Unfortunately, it no longer exists. Directed by John Moxey who is still alive, and posts at a certain film forum - I wonder if I can extract a few memories from him.

  • Comment number 2.

    Dear Mybad

    I wasn't in touch with John Moxey for the special programme we did yesterday on "artsextra" bbc radio ulster. (you can listen to it again for the next 6 days on the bbc iplayer).
    The panel I spoke to were James Ellis, who produced and acted in the original 1960 stage version at the Empire Theatre, Martin Lynch, local playwright who has adapted Thompson's original for a new production in March here in Belfast, Maura Megahey, Thompson's biographer and Brian Garrett Thompson's literary executor.
    We also played extracts from a Lyric Theatre production in 1985 recorded for a Â鶹ԼÅÄ tv arts programme.
    James Ellis may know about this production but he didn't mention it to me when he was here. It might be worth posting a message to John Moxey on the film forum? Or you could contact ITV film archives for info on this? If you want I can always ask James Ellis about it.

  • Comment number 3.

    Hi Marie-Louise,

    This is as much information as I've been able to find about the ITV production:

    Programme title: PLAY OF THE WEEK
    Production title: OVER THE BRIDGE

    Synopsis: Over the Bridge, set in Belfast, concerns the violence that can be stirred up by intolerance in a big working community. It tells the story of Davey Mitchell, a man who has risked his livelihood and his health to build a union in the shipyard, only to find that old religious differences among the men are stronger than their loyalty to the new union. Davey is finally called upon to make his biggest sacrifice in order to defend his ideals.

    Series title: PLAY OF THE WEEK SERIES 1
    Series ID: 1/0023-01

    Credits text:
    ELIZABETH BEGLEY - Nellie Mitchell
    JOHN COWLEY - George Mitchell
    FINLAY CURRIE - Davy Mitchell
    SHELA WARD - Martha White
    J G DEVLIN - Rabbie White
    PATRICK McALINNEY - Mr Fox
    FRASER HINES - Ephraim
    RIO FANNING - Warren Baxter
    MAUREEN TOAL - Marian
    JAMES ELLIS - Archie Kerr
    DONAL DONNELLY - Peter O'Boyle
    DERMOT McDOWELL - Billy Morgan
    KEITH PYOTT -Clergyman
    ALLAN McLELLAND - Mob Leader
    JAMES FITZGERALD - Workman I
    GERALD McCALLISTER - Workman II

    Director: JOHN MOXEY
    Author: SAM THOMPSON
    Adapted by: HUGH LEONARD
    Paris company: GRANADA TELEVISION
    Genre: DRAMA
    ITC class ID:
    Running time - minutes: 75
    Running time - seconds: 28
    First TX date: 1961-08-29
    Production area: DRAMA

    This info was culled from a backdoor at itnsource. As you can see James Ellis is listed on the credits. As is Donal Donnelly, who sadly died recently. And, very interestingly, adapted by Hugh Leonard.

    John Llewellyn Moxey, to give him his full name, is a rather highly regarded director of pulps that had a tendency to assume cult status over the years (my own personal favourite being 1974's 'Where Have All The People Gone?'). At this time of this 1961 broadcast he was directing ITV plays back to back, twice a week (their drama output at that time was prolific). It's unlikely that he would remember, as he is now well into his 80's, but I will contact him, just in case.

    According to lostshowsdotcom the production no longer exists - I am not sure whether it was recorded then wiped, or simply not recorded upon broadcast. So much has been lost from that time - these productions were treated as ephemeral but, as time goes on, it appears they were often a unique combination of time, place, talent and venue.

    One very interesting question would be: did UTV carry the broadcast relay?

    PS - Pls give my regards to Mr Ellis; I fondly remember his roles in Nightingales and the Billy plays.

  • Comment number 4.

    Hi there
    Thanks for all this info. And yes seeing as James is down as Archie Kerr I will certainly give him a call re. this. Will get back to you as soon as I hear anything.
    All the best
    ml

  • Comment number 5.

    Hello, Marie-Louise,
    I listened with great interest to the programme on "Over the Bridge" and your interview with Jimmy Ellis. I am JG Devlin's daughter and the programme encouraged me to do something that I keep meaning to do, i.e. search through some ancient materials (my father kept scrapbooks) and indeed regarding "Over the Bridge" he kept several reviews, photographs and snippets not only from newspapers, but also from magazines like "The Stage". Some of the photographs show Sam Thompson himself in the play, (in the part of Archie Kerr) in the Empire Theatre and in Scotland. I certainly look forward to Martin Lynch's forthcoming production of the play - I was a schoolgirl at the time of the the original production - keep asking myself where those fifty years have gone!
    Good wishes, Fiona Coyle

  • Comment number 6.

    Hello Fiona, great to see you on here, and good to hear the Devlin clan survives.

    I first saw your father in that immortal episode of Steptoe & Son, The Desperate Hours, guest-starring with Leonard Rossiter as an escaped convict; probably one of the best remembered episodes, and certainly one of the most-watched.

    I have many old playscripts, published in Belfast, of locally written plays which ran at the Arts and Group theatres, and your father is mentioned frequently in the credits. I've read most of them, and his name always helps me to imagine the production and the role - even the performance, which is rather supernatural in its way.

    Please hang onto your father's archive and keep it safe - someday there will be a long over-due retrospective of his life and work.

    :-)

  • Comment number 7.

    I remember directing this play very well. It was a remarkable experience. A superb script, and a wonderful cast.

    John

  • Comment number 8.

    For many years now my cassette recording of Sam Thompson's "The Evangelist" has accompanied me throughout the world. I have recently transferred it to CD.

    Surely "Over The Bridge" must have been recorded by Â鶹ԼÅÄ Radio. Why haven't it and Thompson's other plays been made available commercially? It was a sad fact of Â鶹ԼÅÄ life that its Belfast Â鶹ԼÅÄ shop (now, of course defunct)did not make available such items of local culture as Sam Thompson's plays, the "Billy" plays etc. Perhaps the shop would have met with greater commercial success if it had.

    It was in a Belfast of another era, 1965 to be precise, that I stayed on at Queen's to watch Sam Thompson's "Cemented With Love" on the Â鶹ԼÅÄ. I then walked home to Clonard via Sandy Row (another era indeed!) Sam Thompson would have been delighted to know that small groups of people were gathered at Sandy Row corners discussing his play. Did they know, I wonder, that one of the Â鶹ԼÅÄ production's conceits was to have deliberately cast Catholic actors in Protestant roles? JG Devlin, for instance, played the Orange Grand Master if my memory serves me correctly. A terrific idea which might be emulated by those who might be involved in producing a Belfast soap opera. (Anyone who doubts the idea's "terrific' status should listen to that devout Catholic actress, the late Catherine Gibson, give her testimony at the Protestant prayer meeting in "The Evangelist". It would bring tears to your eyes!)

    Unfortunately I won't be in Belfast to see "Over The Bridge" this time around. Any chance of a DVD?

  • Comment number 9.

    Chouchoulane
    Cemented With Love is one of the missing Wednesday Plays, so, alas, it no longer exists - nice to read your anecdote about street corner dicussions of it; almost a commentary on a non-existent DVD.
    Your recording of The Evangelist may well be the only copy in existence - it might be worth checking that with the Â鶹ԼÅÄNI archive; if so, perhaps you could provide them with a copy. Recently I discovered, quite by chance, a recording of a Â鶹ԼÅÄ production of Joe Tomelty's All Soul's Night; a very gratifying listen which, I'm sure, would have a ready local audience.
    I'm afraid the Â鶹ԼÅÄ Shop stock was really subject to copyright and licencing and Â鶹ԼÅÄNI may not have felt the investment worthwhile. Having said that, it's worth noting that Â鶹ԼÅÄ Scotland go to great lengths to make Scottish plays available from the archive, the most notable being Peter McDougall's work for the Play For Today strand.

  • Comment number 10.

    Saw Over the Bridge at the Waterfront last night - absolutely blown away - (Belfast) funny; well acted - great (local)talent; loved the interaction with the audience before the show;frightening - would love to think we'd moved on (then listened to the news this am); totally powerful; enthralling. (ps - I used to work with a 'Rabbie')

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