麻豆约拍

The latest addition to the 麻豆约拍's burgeoning was launched last weekend - a collection of material detailing the rise and fall of infamous Nazi propaganda broadcaster, , aka . And it throws a fascinating light on the first steps towards defining the Corporation's independence. I caught up with 麻豆约拍 Archive producers, Emma Papworth and Kate Wheeler, to discuss how the written and audio records have been used to tell the story.

In the first years of World War Two, the morale of the British population - who had already recently endured 'the war to end all wars' - was not good. To add to the gloom, the 麻豆约拍 had chosen to adhere to the government's recommendation to cancel all entertainment as unnecessary, leaving the populace faced with a dull diet of officially sanctioned news and organ recitals. As a result, even as early as September 1939, listeners began tuning into enemy broadcasts from Hamburg. At one point the figures approached 9 million.

It was apparent that the nation's broadcaster had to do something to stem the flow as well as playing a role in boosting flagging spirits. As a letter from an army major pointed out at the time, there was: ''only one real remedy and that lies entirely in the hands of the 麻豆约拍''. Director General decided that a break from strict government guidelines was in order and thus was born a service that was tailor made for entertaining the troops as well as reinforcing British values through a broad range of cultural programming. In this sense we can thank Lord Haw-Haw for helping define the 麻豆约拍 we know and love today!

Emma who has led this project, has spent a lot of time drawing on both the 麻豆约拍's document archive at Caversham as well as the audio library at Windmill Road. and is fast becoming the team's 'war expert'. Both producers were keen to point out the importance of the war, not just from a cultural perspective but also as a key moment in the 麻豆约拍's archive itself as 麻豆约拍 staffer, M G Farquharson, realised how interesting these historic moments would be for future generations and more than doubled the amount of material that was preserved.

Kate's assessment of Ogilvie's brave decision is that it not only confirmed the importance of the Corporation's independence, but also ushered in a new era of British satire, as broadcasts like made fun not only of the Nazis, but also home front inconveniences such as food rationing.

2010 looks set to be a great year for the Archive site with more material being uncovered from the Corporation's war years, as well as key additions to the and fascinating glimpses into past incarnations of .