I for one know that my writing has improved immeasurably, I’ve had a wholly unique and rewarding experience that no one can take away from me and I’ve made friends whom I will champion for the rest of my career.
Our aim is to work with and develop writers at all stages of their careers towards Βι¶ΉΤΌΕΔ broadcast. Our main development schemes for early career writers are Scripted, which runs for 12 months and our six Voices groups which run for six months from our hubs across the UK. The writers in these groups are identified via our Open Call opportunity and from recommendation and talent scouting.
Our new 8-week location-specific Write Across programme has its own dedicated application window. Up to 2024, Write Across has been rolled out in Liverpool and Birmingham and the Black Country.
Our Writers' Access Group for deaf, disabled and/or neurodivergent writers runs for 18 months and has its own application window, which is open every 2 years.
We also run Pilot which offers mentoring and a script commission with or an independent production company, allowing more experienced writers the chance to develop their first original authored script for television. Again, Pilot has its own specific application window, which is open every 2 years.
In addition we run targeted opportunities for shows like , The Break on Βι¶ΉΤΌΕΔ Three, Fright Shorts in Northern Ireland, or specials, for example .
Writer Development
See our Groups
Previous Groups
Residential Workshops
Pre-2019 we ran writer development residentials from our bases in London, Salford, Glasgow, Cardiff and Belfast.
These residentials were usually initiated by a Βι¶ΉΤΌΕΔ Commissioning or Production department approaching us and asking us to facilitate the development of ideas and pitches for a genre or strand, for example a potential new returning Radio Drama series. The writers who were invited were writers who we had already identified through our work or who were recommended by the team we were collaborating with on the residential.
Find out more about some of our past residentials from writers who took part below.
More about our Residentials
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In summer 2013 Paula Hines joined a group of nine female comedy writers to develop and pitch new radio comedy ideas. The residential also included craft sessions from visiting writers, producers and execs. -
Nicholas McInerny describes a 2014 residential workshop in the Kent countryside with the aim of developing and pitching a returnable Radio 4 Series -
Developing and pitching ideas to Drama North
Leo Richardson was invited to attend a Βι¶ΉΤΌΕΔ Writers residential at a new venue in Lancashire in autumn 2015. He explains what happened next. -
Unloching funny women
This November 2016 Scottish residential included advice from guest speaker, Fleabag writer Phoebe Waller-Bridge. -
CΒι¶ΉΤΌΕΔ Writers' Retreat
This CΒι¶ΉΤΌΕΔ Drama residential took place in the beautiful surroundings of Riber Hall in May 2017. Marissa Lestrade describes what happened and her experiences of developing original children's series ideas over three days. -
Children's Digital Residential
Raisah Ahmed is a screenwriter and director who came on our October 2017 residential by the shores of Loch Long to develop ideas for the Βι¶ΉΤΌΕΔ's updated 'Stay Safe' project - which promotes online safety for kids in a digital world. -
CBeebies Residential
In November 2018 we took a group of eight writers off to the beautiful Derbyshire countryside for a residential with the focus on writing for the CBeebies pre-school audience. Joanne Lau reports back...
Shows & Writers
Original shows that have come through our work developing, supporting and promoting writers include:
- TV dramas: Lost Boys and Fairies, The Break, (BAFTA winning) , , ,
- TV comedies: (BAFTA winning), , , ,
- CΒι¶ΉΤΌΕΔ dramas: , , ,
- Radio Drama series: , , , ,
- Radio Comedy series:
- Films (Oscar nominated), (BAFTA nominated)
Writers have also gone to write for a huge range of existing shows and strands across the Βι¶ΉΤΌΕΔ and other broadcasters.
Developing relationships
Βι¶ΉΤΌΕΔ Writers' job is to find, and develop a relationship with talented writers
Our success is gauged not only by writers going on to be commissioned and produced, but also by the strength of our continuing relationship with them. Here are a handful of the writers who we developed in our early days, and with whom we continue to have a strong relationship.
Jack Thorne
Jack Thorne first came to the Βι¶ΉΤΌΕΔ through our Sparks radio scheme and has written award-winning work for Βι¶ΉΤΌΕΔ Radio. He was introduced to Βι¶ΉΤΌΕΔ Drama, eventually leading to his original series on Βι¶ΉΤΌΕΔ Three. He has also written This is England '88, Glue, , Kiri, National Treasure and adapted His Dark Materials for Βι¶ΉΤΌΕΔ One. He was on the writer committee for our TV Drama Writer's Festival in 2013.
Watch an interview with Jack Thorne
Find out more about Jack's work
Sarah Phelps
Sarah Phelps came on our first Sparks radio drama scheme in 1999 and went on to write Afternoon, Friday and Woman's Hour plays for Radio 4, then 42 episodes of on the World Service. Sarah also came on a CΒι¶ΉΤΌΕΔ Comedy Drama scheme and had an original idea commissioned. She then became a core writer for . Her original First World War drama was broadcast on Βι¶ΉΤΌΕΔ One in 2014. Recent successes include her adaptations of JK Rowling's and Agatha Christie's , both for Βι¶ΉΤΌΕΔ One.
Find out more about Sarah's work .
Alice Nutter
Alice Nutter - previously singer in the band Chumbawamba - was first developed through our partnership with West Yorkshire Playhouse. She wrote for Βι¶ΉΤΌΕΔ Radio, has since written on numerous TV dramas for the Βι¶ΉΤΌΕΔ and was on the writer committee for our TV Drama Writer's Festival.
Find out more about Alice's work .
Brian Dooley
Brian Dooley sent in his sitcom , which ran for two series on Βι¶ΉΤΌΕΔ THREE and won Brian a BAFTA. He also came on our Comedy-Drama scheme for established writers and has since written for .
Find out more about Brian's work .