麻豆约拍

This week a celebration of the power of crafting - returns to 麻豆约拍 Four. The series looks at the art of hooky rugmaking, traditional letterpress and much more.

Alongside the series 麻豆约拍 R&D have created a Make-along - a special interactive Origami tutorial which gives viewers the ability to change camera angle, repeat steps in the lesson and take the exercise at a pace suitable for whoever is following it. In the first of on the experience, Commissioning Editor of Digital Projects for , Stephen James-Yeoman writes about how this interactive tutorial is a step towards a 麻豆约拍 which allows audiences to create, shape, and curate our content.

When I was eight years old I knew exactly what I was going to do for a living when I was older. There were no lofty ambitions to become an astronaut, or sensible plans to be a train driver or fantastical ideas to be an internationally-renowned footballer (anyway, they were paid less in the 70s). I wanted to become a music teacher. And with that pin-point focus and clarity I set about learning as many musical instruments as I could safely handle in my podgy eight year old fingers. Guitar, flute, drums, violin, piano 鈥� if it could be plucked, blown, hit or tinkled then I was in the queue to master it to achieve my unshakeable goal. And I definitely owe my dutiful and patient parents an apology for every bum note they had to endure. Fate had other ideas for my future career path but that clamour for creative expression was as much a means to an end as an itch that I needed to scratch.

I have a memory of my piano teacher Reg demonstrating the correct way to tease Danny Boy from 88 keys and then having to patiently (and painfully) hear me clunk my way through my decidedly unpolished version. It took me an age to conquer that piece of music but I did it through instruction, practice and time. Time to make my mistakes, to go back and copy and try out and test and alter and fail and eventually succeed. Because when you鈥檙e trying to master a creative skill whether it鈥檚 playing the piano, knitting a scarf, painting a picture or origami paper folding there is no substitute for imitation and practice. It is for those reasons, and in homage to Reg, that I鈥檓 thrilled that 麻豆约拍 R&D rose to the challenge to craft an innovative creative tutorial - we鈥檙e calling it a Make-along - to accompany the return of 麻豆约拍 Four鈥檚 gentle and celebratory , a captivating series which embraces the sheer joy of craft, creativity and making.

Where Reg was my constant companion as I tackled each piece of music, the Make-along has , an enthusiastic origami expert who takes the viewer on a step by step guide to making an impressive origami jumping frog. Through clear instruction and demonstration anyone can mimic Sam鈥檚 lead. But while instruction videos are commonplace across the internet, the Make-along puts the viewer firmly in control, able to choose between three different camera angles to best follow each tricky fold, or display a diagram showing exactly what the paper should be doing. And rather than the film being a distant and disconnected playout, Sam鈥檚 Make-along pauses after each instruction waiting for, and interacting with, the viewer to ensure each move is easy to follow or repeat. Our Make-along is a digital and very up-to-date interpretation and expression of instruction, practice and time.

From a producer鈥檚 point of view, the Make-along feels completely complimentary to the programme. Sam鈥檚 film was shot by the same indie that created and produced the series, , so it achieves a consistent style and look of what viewers see on television. It was important that it didn鈥檛 feel like an uncomfortable and incongruous add-on. I鈥檇 previously been shown an R&D prototype of how object-based media had been used to create a Cook-Along Kitchen Experience, a similarly interactive baking guide which walks the viewer through each stage of a recipe and it wasn鈥檛 a difficult leap to see how the technology could be applied to a companion for MAKE!, a programme which rests on the recent upsurge and interest in all things crafty. However, this would be the first time an OBM product would be aligned to a broadcast series.

And as for the novice origamist, there were lessons for us along the way. We were lucky to have enthusiastic commissioners in Owen Courtney and Clare Patterson and a willing indie and exec in RDF Television and Teresa Watkins, who embraced the idea warmly and provided the raw film of Sam鈥檚 instructions during their own capture for the programme. The idea for Make-along came about after the programme was green-lit and there are undoubtedly further gains to be made for any similar projects in the future being conceived at the same time as the on-air commission for traditional channels. There are both editorial - and let鈥檚 face it, economic - advantages to similar make-alongs in the future being commissioned alongside the broadcast programme. Being part of a holistic editorial proposition should be the goal for commissioning teams in the future and can only be a benefit to the overall offer for audiences.

At 麻豆约拍 Arts we have been working closely with 麻豆约拍 R&D to test how technological advances can provide innovative ways of storytelling. For the landmark we鈥檝e put some of those cutting edge R&D tools in the hands of museums and libraries to encourage them to tell their own stories and demonstrate their expertise to broaden audience engagement around a series and theme. And the broadcast of MAKE! and the release of the Make-along coincides with the , a partnership project which encourages everyone to try, do and share something new and creative with 1,000 events across the UK. I think both those examples show how what we do is no longer limited to a box in the corner of the living room disconnected to the rest of our lives.

I believe that lean-in and interactive elements such as the Make-along can have a real impact on audiences. In the summer of 2017, , building on the successes of programmes such as and which have shown what can be achieved by inviting people with a passion to join forces with our on-air experts. Tony Hall said he wants to see a future 麻豆约拍 doing 鈥渟o much more in letting audiences help create, shape, and curate our content, so they can become their own schedulers, our next advisers, our future innovators鈥�. I hope by having the Make-along accompany MAKE! Craft Britain it will help nurture seeds of creativity and go some way to address that ambition.

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