Isaac Julien: knighthood title is ‘problematic’
The artist says he had to think deeply before accepting award
British artist and filmmaker Sir Isaac Julien had to think ‘quite deeply’ before accepting his knighthood, because of the connotations of its full title: ‘Knight of the British Empire’. Speaking to the Â鶹ԼÅÄ’s HARDtalk programme, Julien said ‘of course for me, having to take an award that has that title is problematic’.
Speaking to Zeinab Badawi, the acclaimed artist, whose parents emigrated from St. Lucia to Britain in the 1960s, said he took the award because of its important ‘recognition’. Julien said he is hopeful of change: ‘I do think it’s really good that we have at this particular moment, Charles, our new king, looking at questions around slavery’ and that the institution ‘will have to look…at the ‘naming’ of these awards. Julien said he’s ‘hoping there will be a recognition by our new monarch that will look at those questions’.
On the topic of restitution – the returning of artworks taken that were stolen or improperly traded, often due to colonialism – Julien is clear that ‘if things have been wrongly taken they should be given back’. He added that ‘the acknowledgement of certain violence that takes place at a particular time’ is ‘very important’. Julien addressed these issues in his 2019 multi-screen installation ‘Once Again . . . (Statues Never Die)’. He told Badawi he sees his work as ‘a form of poetic restitution. I see it as something which is thinking about the nuances around these sorts of questions’.
Julien currently has a major exhibition at the Tate Britain museum in London. It is a retrospective of his decades-long career examining some of the most divisive issues of our age: migration, racism, and sexuality.