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Tudor Virtual Reality

New Generation Thinker Christina Faraday argues that story telling and conveying vivid detail was an important part of Tudor painting used to convey religious & political messages.

Advances in robotics and virtual reality are giving us ever more 'realistic' ways of representing the world, but the quest for vivid
visualisation is thousands of years old. This essay takes the guide to oratory and getting your message across written by the ancient Roman Quintilian and focuses in on a wall painting of The Judgment of Solomon in an Elizabethan house in the village of Much Hadham in Hertfordshire. Often written off as stiff, formal and artificial with arguments that the Reformation fear of idolatry stifled Elizabethan art, New Generation Thinker Christina Faraday argues that story telling and conveying vivid detail was an important part of painting in this period as art was used to communicate messages to serve social, political and religious ends.
Christina Faraday is a New Generation Thinker who lectures in the History of Art at the University of Cambridge.

New Generation Thinkers is a scheme run by Βι¶ΉΤΌΕΔ Radio 3 and the Arts and Humanities Research Council to select ten early career academics each year to turn their research into radio. You can find more programmes involving New Generation Thinkers on the Free Thinking programme website /programmes/b0144txn
and a series of podcasts hosted by them under the playlist New Research /programmes/p03zws90

Producer: Luke Mulhall

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14 minutes

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