Billie Holiday: Strange Fruit
Dr Rommi Smith examines a key moment in the life and work of five Black female musicians. Today she considers Billie Holidayβs final performance of the iconic Strange Fruit.
For her final televised performance in 1959, Billie Holiday chose to sing the iconic song Strange Fruit - a powerful anti-lynching anthem. This extraordinary performance, for the British television show 'Chelsea at Nine', shows a musician at her greatest power, barely a few months before her untimely death.
This essay series, Full Moon on Progress Street takes a close look at a key moment and song to reveal the hidden lives and interests of some of the most important Black female artists of the 20th century β Ella Fitzgerald, Big Mama Thornton, Billie Holiday and Nina Simone. Dr Rommi Smith, life-long jazz and blues listener, considers a key moment in the creative life of each artist, reappraising what we think we know about them from popular culture. Each essay βflips the scriptβ, to show a different hidden story. All these iconic women are broadly misrepresented - history and discrimination airbrushing their interests, politics, sexualities, creative legacy and passions.
Dr Rommi Smith is a writer, performer and academic, whose research centres the performances of historical Black jazz and blues women within the context of civil rights. Rommiβs academic work is published by, amongst others, New York University Press and Routledge. Contributors to her research include: five-time Grammy-winning NEA jazz master, Dianne Reeves and five-time Grammy-winning musician, Dr Esperanza Spalding.
A three-time ΒιΆΉΤΌΕΔ Writer-in-Residence, Rommi is a guest curator of the ΒιΆΉΤΌΕΔ Radio 4 programme, Poetry Please and a contributor to programmes ranging from Front Row to The Verb, The Essay to Womanβs Hour.
The inaugural British Parliamentary Writer-in-Residence and Poet-in-Residence for Keats House, Hampstead, Rommi was also the Poet-in-Residence for the Wordsworth Trust, Grasmere. Rommiβs fifth collaboration as librettist with the baritone and composer Roderick Williams responds to the oratory of Dr Martin Luther King. It will be performed by the choir of St Paulβs Cathedral in December 2024.
www.rommi-smith.co.uk
@rommismith
Writer and Presenter, Dr Rommi Smith
Producer, Polly Thomas
Exec producer, Eloise Whitmore
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