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DING, DONG, DARLING! - joy reclaimed!

Tom Service presents premieres from Donaueschinger Music Days of works by Franck Bedrossian and Sara Glojnaric plus Leevi RΓ€sΓ€nen's 'the two childhoods', from Nordic Music Days.

Tom Service presents the latest new music in performance including premieres from the recent Donaueschinger and Nordic Music Days. From Donaueschinger comes Franck Bedrossian's Feu sur moi for 24-part choir and electronics, a hair-raising descent into Hell to a text by Arthur Rimbaud. Also from this major German festival, we have Sara Glojnaric's glitteringly subversive DING, DONG, DARLING! for orchestra and fixed media, β€œA piece about queer joy. … about chasing that moment of joy, hope, and a sense of lightness triggered by another person’s display of unabashed queer joy … It challenges the dominant narrative that being queer is exclusively rooted in pain or trauma and instead recognizes the resilience, resistance, and creativity of LGBTQ+ people.... it's a work filled with references and memories, embracing non normativity, pathos, hyper-pop, camp, glitter, youth, and sexuality in all its aspects and, most importantly, reclaiming joy as an integral part of my artistic practice”.

And, from Glasgow's Nordic Music Days, the Chaos Quartet plays Leevi RΓ€sΓ€nen's 'the two childhoods.' A work which emerges from the Finnish composer's "Personal need to heal: "Those who have experienced school violence know the profound and long-term consequences of when just simple words become weapons. Having thought for a long time, that the bullying I experienced during my childhood would’ve made me stronger … I realized that I had survived it by repressing almost all memories altogether. This piece aims to address that memory-mush … "

And, in a show packed with thoroughbreds, comes Thomas van Dun's Rocailles de l'aprΓ¨s vie.., the work which won the prestigious International Rostrum of Composers prize for composers under 30 in the Netherlands. The rocailles referring to those ornamental flourishes and flurries that define the gorgeous excesses of rococo churches. β€œThe purpose of these visual stimuli is to delight people”, Thomas says: β€œIn Rocailles de l’aprΓ¨s-vie… these become intertwined flutters and runs...Everything moves and through this overstimulation I want to put the listener in a state of trance.”

To listen on most smart speakers just say β€œask ΒιΆΉΤΌΕΔ Sounds to play New Music Show"

2 hours

Last on

Sat 9 Nov 2024 22:30

Music Played

  • Jasper Vanpaemel

    ABC for three small slideflutes

    Performer: Tomma Wessel. Performer: Ines Rasbach. Performer: Katelijne Lanneau.
  • Thomas van Dun

    Rocailles de l'après vie

    Ensemble: Asko|SchΓΆnberg. Conductor: Clark Rundell.
  • Ε arΕ«nas Nakas

    Cenotaph

    Performer: Mira Benjamin. Performer: Anton Lukoszevieze. Performer: Kerry Young.
  • Diane BarbΓ©

    Le grand jardin de coupigny

    Performer: Diane BarbΓ©.
    • musiques tourbes.
    • forms of minutiae.
    • 5.
  • Franck Bedrossian

    Feu sur moi for 24-part choir and electronics

    Performer: Maurice Oeser. Performer: Thomas Hummel. Performer: Daniel Miska. Ensemble: SWR Experimentalstudio. Conductor: Yuval Weinberg.
  • Leevi RΓ€sΓ€nen

    The Two Childhoods

    Ensemble: Chaos Quartet.
  • Sara GlojnariΔ‡

    DING, DONG, DARLING! for orchestra and fixed media

    Orchestra: SWR Symphonieorchester. Conductor: Vimbayi Kaziboni.
  • Feedback Orchestra

    8 electric guitars and feedback

    Ensemble: Feedback Orchestra.
    • Live at Zwingli-Kirche.
    • Edition Telemark / MirrorWorldMusic.
  • Iain Chambers

    Slithering Fatberg

    Performer: Iain Chambers.
    • The Persistence of Sound Collection.
    • Persistence of Sound.
    • 77.
  • Pancrace

    Melville

    Ensemble: Pancrace.
    • Pancrace – Papotier.
    • Penultimate Press.
    • 6.
  • Joseph Phibbs

    Night Paths

    Performer: Huw Wiggin. Performer: Noriko Ogawa.

Broadcast

  • Sat 9 Nov 2024 22:30

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