Main content
Sorry, this episode is not currently available

Nicola Benedetti, Director of the Edinburgh International Festival, explores its history and some of the people and performances that have made it what it is today.

Nicola Benedetti, Director of the Edinburgh International Festival, explores the past and present of this annual occasion, now in its 77th year.

Today she focusses on the unparalleled opportunity it offers for a deep listening experience, particularly in the elegant Georgian surroundings of The Queen's Hall, a venue well-known to many ΒιΆΉΤΌΕΔ Radio 3 listeners for the broadcasts of concerts from the Queen's Hall Series. Nicola celebrates the incredible roll call of instrumentalists and singers whose international careers brought them to Edinburgh, from Kathleen Ferrier and Anne Sofie Von Otter to Jonas Kaufmann and Sheku Kanneh-Mason, before reflecting on what it means to really listen deeply. With contributions from opera singer Danielle de Niese, conductor Ivan Fischer and jazz bassist Endea Owens.

56 minutes

Music Played

  • Franz Schubert

    Trio for piano and strings No 1 in B flat, D898. III Scherzo

    Performer: Artur Schnabel. Performer: Joseph Szigeti. Performer: Pierre Fournier.
  • Heitor Villa‐Lobos

    Schottish-Choro

    Performer: Julian Bream.
  • Johannes Brahms

    Immer leiser wird mein Schlummer, Op. 105 No. 2

    Performer: Bruno Walter. Singer: Kathleen Ferrier.
  • Franz Schubert

    Rast (from Winterreise)

    Performer: Helmut Deutsch. Singer: Jonas Kaufmann.
  • Carlo Sigmund Taube

    Ein Judisches Kind

    Singer: Anne Sofie von Otter.
  • Wolfgang Amadeus Mozart

    Marriage of Figaro - Act 3 Final

    Orchestra: London Philharmonic Orchestra. Conductor: Georg Solti.
  • Gustav Mahler

    Symphony No 5 in C Sharp Minor IGM 11: IV Adagietto

    Orchestra: SimΓ³n BolΓ­var Symphony Orchestra. Conductor: Gustavo Dudamel.
  • Nigel Kennedy

    Lullaby for Kamila

    Performer: Sheku Kanneh‐Mason. Performer: Harry Baker.

Broadcast

  • Sat 31 Aug 2024 13:00

Knock on wood – six stunning wooden concert halls around the world

Steel and concrete can't beat good old wood to produce the best sounds for music.

The evolution of video game music

Tom Service traces the rise of an exciting new genre, from bleeps to responsive scores.

Why music can literally make us lose track of time

Try our psychoacoustic experiment to see how tempo can affect your timekeeping abilities.

Podcast