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Heart and soul

Donald Macleod assesses the different values Haydn placed on his friendships with a Viennese society woman and a London-based widow, with music from The Creation.

Donald Macleod assesses the different values Haydn placed on his friendships with a Viennese society woman of unimpeachable reputation and a vivacious London based widow, with music from Symphony no. 91 and The Creation.

The streets must have seemed like they were paved with gold when Haydn visited London in 1791. He was feted and applauded everywhere he went as one of Europe’s leading composers. He hobnobbed with royalty, the Prince of Wales commissioned a portrait of him from leading society portraitist John Hoppner. It’s still regarded as one of the best images we have today.

Haydn could hardly have imagined all this as a boy. His really is a rags-to-riches story. Born in 1732 in humble circumstances, Haydn's musical talent won him a position as a choir boy in Vienna's St. Stephen's Cathedral. However, he was forced to leave after his voice broke and, by the age of 17, he was on the streets, with only β€œthree miserable shirts and a worn-out coat” to his name. Happily, his life did then take an upward turn. Haydn was employed by the EsterhΓ zys, one of the most powerful and influential families in the Hapsburg monarchy, for an astonishing 48 years.

But this week, Donald Macleod puts the public face of this internationally celebrated figure to one side. He’s going to be looking at Haydn through a narrower lens, drawing a picture of the composer through the relationships he enjoyed with some of his closest family and friends.

The part Frau Marianne Genzinger played in Haydn's life compares with none other. She was his most trusted confidante. Mrs. Schroeter was stylish and wealthy. Little wonder when their paths crossed, Haydn quickly succumbed to her charms.

Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy'
III: Rondo all’ungarese
Beaux Arts Trio

Symphony no 91 in E flat major
II Andante
Berlin Philharmonic
Simon Rattle

Arianna a Naxos cantata, Hob.XXVIb / 2
Recit: "Teseo moi ben, ove sei?"
II. Aria "Dove sei, moi bel tesoro"
Kate Lindsey, mezzo-soprano
Arcangelo
Jonathan Cohen

Piano sonata no 59, HobXVI:49 in E flat major
I: Allegro
Paul Lewis, piano

Piano Trio in F sharp minor, no 40, Hob: XV:26
II: Adagio
Altenburg Trio Wien

Die SchΓΆpfung, excerpt from Part 3, nos 29 and 30
Aus Rosenwolken bricht
Von deiner GΓΌt’, o Herr und Gott.
Christina Landshamer, soprano, Eva
Maximilian Schmitt, tenor, Uriel
Rudolf Rosen, bass, Adam
Collegium Vocale Gent
Orchestre des Champs-Γ‰lysΓ©es
Philippe Herreweghe, director

Producer: Johannah Smith

59 minutes

On radio

Fri 17 Jan 2025 16:00

Music Played

  • Joseph Haydn

    Piano Trio No 39 in G major, Hob.XV:25 'Gypsy' (3rd mvt, Rondo all'ongarese)

    Ensemble: Beaux Arts Trio.
    • PHILIPS: 4540982.
    • PHILIPS.
    • 6.
  • Joseph Haydn

    Symphony No 91 in E flat major, H.1.91 (2nd mvt, Andante)

    Orchestra: Berliner Philharmoniker. Conductor: Sir Simon Rattle.
    • Warner Classics : 3942-37-2.
    • Warner Classics.
    • 2.
  • Joseph Haydn

    Arianna a Naxos cantata, Hob.XXVIb / 2 (excerpt)

    Singer: Kate Lindsey. Ensemble: Arcangelo. Director: Jonathan Cohen.
    • Alpha : 576.
    • Alpha.
    • 17.
  • Joseph Haydn

    Piano Sonata No 59 in E flat major, HobXVI:49 (1st mvt, Allegro)

    Performer: Paul Lewis.
    • Harmonia Mundi : HMM902371.
    • Harmonia Mundi.
    • 1.
  • Joseph Haydn

    Piano Trio in F sharp minor, No 40, Hob: XV:26 (2nd mvt, Adagio cantabile)

    Ensemble: Altenburg Trio Wien.
    • Paladino Music : PMR0132.
    • Paladino Music.
    • 3.
  • Joseph Haydn

    Die SchΓΆpfungm, Part 3 (Nos 29 & 30)

    Singer: Christina Landshamer. Singer: Maximilian Schmitt. Singer: Rudolf Rosen. Ensemble: Collegium Vocale Gent. Orchestra: Orchestre des Champs‐ÉlysΓ©es. Director: Philippe Herreweghe.
    • PHI: LPH018.
    • PHI.
    • 8.

Broadcasts

  • Fri 28 Apr 2023 12:00
  • Fri 17 Jan 2025 16:00

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