5. For Sale: Intimacy and Infamy
The creative but awkward dynamic between Adam and Anton blows up. They are trying to collaborate, but the boundary between creativity and personal experiences breaks.
The creative but awkward dynamic between writer Adam Zmith and actor Anton Blake Horowitz blows up. They are trying to collaborate, but the boundary between creativity and personal experiences breaks. Wounded, Adam hears more about the history of censorship from film archivist So Mayer, who also reveals their own personal motivations for researching film and queer history.
Just as there is an exciting revelation about the classified fifth disc in the sound archive, the entire project looks threatened. The Rio Cinema, which wants to keep the sounds in community ownership, may have to give them up. The sounds may fall back into obscurity once again, so Adam begins to mobilise support for the Rio.
Credits
Written, produced and edited by Adam Zmith
With story by So Mayer and Adam Zmith
Starring Anton Blake Horowitz
Music by Courtney Pine
Assistant Producers – Tash Walker and Shivani Dave
Researcher β€” So Mayer
Audio consultant – David Pye
Artwork by Danny Crossley
Production Mentors – Caroline Steel and Andy King
Executive Producers – Khaliq Meer and Leanne Alie
Commissioned for Βι¶ΉΤΌΕΔ Sounds Audio Lab by Khaliq Meer
Thanks to
Aleks Kolkowski
Andrew Woodyatt and everyone at the Rio Cinema
Peninsula Press
The BFI and the BFI National Archive
Axel KacoutiΓ©
Nikki Meadows
Ben Lalague
Jose Castejoon
Natasha Walker
India Latham
Last on
More episodes
Broadcast
- Fri 23 Dec 2022 21:00Βι¶ΉΤΌΕΔ Radio 4 Extra
Podcast
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The Film We Can't See
Adam Zmith listens to some lost sound recordings from 1930.