Main content

The Enchantment of Chant

Starting with the Abbess Hildegard of Bingen, Tom explores how chant has resonated across a thousand years of music, taking in American Hopi and Buddhist chants and the Hildegurls.

The immense power of chant to transform both the listener and the chanter has ensured the survival of this ancient musical form. Starting with the Abbess Hildegard of Bingen, Tom explores how chant has resonated across a thousand years of music, taking in American Hopi and Buddhist chants and the Hildegurls, a 21st century reading of Hildegard's music.

Available now

29 minutes

Last on

Fri 23 Sep 2022 16:30

Music Played

  • Arvo PΓ€rt

    Passio Domini nostri Jesu Christi secundum Joannem for soloists, chmbr chor & ensemble

    Performer: The Hilliard Ensemble.
    • ECM.
    • ECM 1360.
  • Clemmie Franks

    O virtus Sapientie - antiphon

    • DECCA.
    • 476-5117.
  • Trad.

    Initiation au culte de Yamantaka

    Performer: The Tibetan Monks of Gyuto.
    • OCORA.
    • C 560133/34.
  • Philip Glass

    Koyaanisqatsi - music from the film

    Performer: Philip Glass Ensemble.
    • ANTILLES NEW DIRECTIONS.
    • 90626-2.
  • Crowd at football match

    Rodgers & Hammerstein: You'll Never Walk Alone

  • Unknown performers

    Anon: Chanting the 7 Chakras

    • Inner Splendor Music.
    • unknown.
  • Schola of the Vienna Hofburgkapelle

    Anon: Ad Te Levavi

    • DECCA.
    • 00028946839928.
  • Trad.

    Wonnga Dance Songs

    Performer: Unknown.
    • Folkways.
    • UNES08040_106.
  • Trad.

    Nam Myoho Renge Kyo

    Performer: Unknown.
  • Elin Manahan Thomas

    O Euchari, in leta via - sequence

    • DECCA.
    • 00602517332195.
  • Sequentia

    O vis eternitatis - antiphon

    • DEUTSCHE HARMONIA MUNDI.
    • 05472-77320 2.
  • Sequentia

    Hildegard of Bingen: Nunc Aperuit Nobis

    • DEUTSCHE HARMONIA MUNDI.
    • 05472-77320 2.
  • Sequentia

    Spiritus Sanctus vivificans vita - antiphon

    • DEUTSCHE HARMONIA MUNDI.
    • 05472-77320 2.
  • Gothic Voices & Christopher Page

    O ecclesia oculi tui - sequence

    • HYPERION.
    • CDA 66039-.
  • Jan Garbarek & The Hilliard Ensemble

    GARBAREK, Jan (Saxophone) on (Parce mihi domine) [Morales: Officium defunctorum, sung by Hilliard Ensemble]

    • ECM New Series.
    • ECM 1525.
  • Traditional

    Trad: Introitus, Missa Pro Defunctis

    Performer: The Cistercian Monks of Stift Heiligenkreuz.
    • Universal.
    • 4766774.
  • Curly M.C.

    Curly M.C.: Sadeness

    Performer: Enigma.
    • VIRGIN.
    • 663 703.
  • Unknown performers

    Anon: Chanting the 7 Chakras

    • Inner Splendor Music.
    • unknown.
  • Trad.

    Nam Myoho Renge Kyo

    Performer: Unknown.
  • Trad.

    Initiation au culte de Yamantaka

    Performer: The Tibetan Monks of Gyuto.
    • OCORA.
    • C 560133/34.
  • Philip Glass

    Koyaanisqatsi - music from the film

    Performer: Philip Glass Ensemble.
    • ANTILLES NEW DIRECTIONS.
    • 90626-2.
  • The Hildegurls

    Ordo virtutum - morality play

    • Innova Recordings.
    • innova 712.

Broadcasts

  • Sun 18 Sep 2022 17:00
  • Fri 23 Sep 2022 16:30

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate β€œnoise” from β€œmusic”, but is it that simple?

Podcast