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Michael Berkeley talks to writer, photographer and broadcaster Johny Pitts about the music from his European and American heritage that inspires him.

Johny was brought up on a housing estate in a tough part of Sheffield, the son of an African-American father and a mother of Irish descent. His prize-winning book, Afropean: Notes from Black Europe, describes his recent five-month journey through Europe exploring the idea of a shared black European identity.

He’s a musician too, part of the Sheffield-based Bare Knuckle Soul Collective, and classical music also plays a big part in his life.

Dvorak inspires two of Johny’s choices: an arrangement of the New World symphony by Raymond Lefevre, and music by Florence Price, the first African-American woman to be recognised as a major symphonic composer. Her story echoes that of Johny’s grandmother, who moved to New York in the great migration of the early 20th century when six million African Americans fled the racism and poverty of the rural South. Johny’s grandmother arrived in New York at the time of the Harlem Renaissance, a period immortalised for Johny by Gershwin’s Rhapsody in Blue.

Music by Wagner and by Sakamoto brings back strong memories of Johny’s childhood, and both aspects of his cultural identity are brought together in a Russian Rag from the WWI African-American bandleader James Reese Europe.

Producer: Jane Greenwood
A Loftus Media production for Â鶹ԼÅÄ Radio 3