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As composer Mark-Anthony Turnage turns 60, Kate Molleson talks to him about the influences he received from Oliver Knussen, Gunther Schuller and Hans-Werner Henze. He speaks candidly about continuing to want to compose pieces that challenge, and shares his thoughts about how Covid-19 might change the music scene over the coming years. In light of the recent death of George Floyd at the hands of the police in the USA, Kate reflects on the discourses of solidarity we’ve heard from within the music world and the wider issue of racism in classical music with composer Eleanor Alberga. Kate also asks Heather Wiebe from King's College London to review a new book, 'Aaron Copland's Hollywood Film Scores', by the musicologist Paula Musegades who argues that the composer used movies to try out his new 'American sound'. And we talk to Maggie Rodford, managing director of one of UK's busiest recording studios, about the impact of Covid-19 on the film and TV music recording industry.