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Verdi's La Traviata

A passionate drama where true love is thwarted by the corrupt morals of society. Soprano Aleksandra Kurzak and tenor Dmytro Popov lead a cast conducted by Karel Mark Chichon.

A passionate drama of jealousy, sacrifice and betrayal where true love is thwarted by the corrupt morals of society. La Traviata comes from Verdi's fertile middle period where he was creating one hit after another; it contains some of his best-loved music. The soprano Aleksandra Kurzak and tenor Dmytro Popov lead a cast conducted by Karel Mark Chichon.

This archive performance from the Met was first broadcast in January last year and is presented by Mary Jo Heath and commentator Ira Siff.

Verdi: La Traviata

Violetta....Aleksandra Kurzak (Soprano)
Alfredo Germont.....Dmytro Popov (Tenor)
Giorgio Germont.....Quinn Kelsey (Baritone)
New York Metropolitan Opera Orchestra
New York Metropolitan Opera Chorus
Karel Mark Chichon (Conductor)

3 hours, 29 minutes

Music Played

  • Wolfgang Amadeus Mozart

    String Quartet in B flat major, K 589

    Ensemble: Jerusalem Quartet.
    • HARMONIA MUNDI.
  • Johann Sebastian Bach

    Brandenburg Concerto No 4 in G major, BWV 1049

    Orchestra: Academy of Ancient Music. Conductor: Christopher Hogwood.
    • J.S. Bach: Brandenburg Concertos 1-6: Academy of Ancient Music/Hogwood.
    • L'Oiseau-Lyre.
    • 1.

Synopsis

ACT I

Violetta Val茅ry knows that she will die soon, exhausted by her restless life as a courtesan. At a party she is introduced to Alfredo Germont, who has been fascinated by her for a long time. Rumor has it that he has been enquiring after her health every day. The guests are amused by this seemingly na茂ve and emotional attitude, and they ask Alfredo to propose a toast. He celebrates true love, and Violetta responds in praise of free love (Ensemble: 鈥淟ibiamo ne鈥 lieti calici鈥). She is touched by his candid manner and honesty. Suddenly she feels faint, and the guests withdraw. Only Alfredo remains behind and declares his love (Duet: 鈥淯n d矛 felice鈥). There is no place for such feelings in her life, Violetta replies. But she gives him a camellia, asking him to return when the flower has faded. He realizes this means he will see her again the following day. Alone, Violetta is torn by conflicting emotions鈥攕he doesn鈥檛 want to give up her way of life, but at the same time she feels that Alfredo has awakened her desire to be truly loved (鈥淎h, fors鈥櫭 lui鈥 Sempre libera鈥).

ACT II

Violetta has chosen a life with Alfredo, and they enjoy their love in the country, far from society (鈥淒e鈥 miei bollenti spiriti鈥). When Alfredo discovers that this is only possible because Violetta has been selling her property, he immediately leaves for Paris to procure money. Violetta has received an invitation to a masked ball, but she no longer cares for such distractions. In Alfredo鈥檚 absence, his father, Giorgio Germont, pays her a visit. He demands that she separate from his son, as their relationship threatens his daughter鈥檚 impending marriage (Duet: 鈥淧ura siccome un angelo鈥). But over the course of their conversation, Germont comes to realize that Violetta is not after his son鈥檚 money鈥攕he is a woman who loves unselfishly. He appeals to Violetta鈥檚 generosity of spirit and explains that, from a bourgeois point of view, her liaison with Alfredo has no future. Violetta鈥檚 resistance dwindles and she finally agrees to leave Alfredo forever. Only after her death shall he learn the truth about why she returned to her old life. She accepts the invitation to the ball and writes a goodbye letter to her lover. Alfredo returns, and while he is reading the letter, his father appears to console him (鈥淒i Provenza鈥). But all the memories of home and a happy family can鈥檛 prevent the furious and jealous Alfredo from seeking revenge for Violetta鈥檚 apparent betrayal.

At the masked ball, news has spread of Violetta and Alfredo鈥檚 separation. There are grotesque dance entertainments, ridiculing the duped lover. Meanwhile, Violetta and her new lover, Baron Douphol, have arrived. Alfredo and the baron battle at the gaming table and Alfredo wins a fortune: lucky at cards, unlucky in love. When everybody has withdrawn, Alfredo confronts Violetta, who claims to be truly in love with the Baron. In his rage Alfredo calls the guests as witnesses and declares that he doesn鈥檛 owe Violetta anything. He throws his winnings at her. Giorgio Germont, who has witnessed the scene, rebukes his son for his behavior. The baron challenges his rival to a duel.

ACT III

Violetta is dying. Her last remaining friend, Doctor Grenvil, knows that she has only a few more hours to live. Alfredo鈥檚 father has written to Violetta, informing her that his son was not injured in the duel. Full of remorse, he has told him about Violetta鈥檚 sacrifice. Alfredo wants to rejoin her as soon as possible. Violetta is afraid that he might be too late (鈥淎ddio, del passato鈥). The sound of rampant celebrations are heard from outside while Violetta is in mortal agony. But Alfredo does arrive and the reunion fills Violetta with a final euphoria (Duet: 鈥淧arigi, o cara鈥). Her energy and exuberant joy of life return. All sorrow and suffering seems to have left her鈥攁 final illusion, before death claims her.

Broadcasts

  • Sat 18 Jan 2020 18:30
  • Sat 23 Jan 2021 18:30

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