Secrets and Discoveries
From the code breaking of Alan Turing to Barbara Strozzi's song about a secret lover, the apple in the Garden of Eden to the planet Pluto and Philip Glass's Einstein on the Beach.
Bettrys Jones and Kingsley Ben-Adir with readings on this week's theme of Secrets and Discoveries - one which suggests not only the realms of science and investigation, but also the inner world of the human heart. The choices run from a Polari version of the Genesis story through an oratorio inspired by the life and work of code-breaker Alan Turing, to the fossils which inspired a poem by Thomas Hardy and the meditations on life and grief in Maggie Nelson's Bluets to Colin Matthews’ completion of Holst’s The Planets with the newly discovered Pluto.
Producer: Caitlin Benedict
We begin with the first secret, and the first discovery: in the Garden of Eden. Genesis, and the story of the Tree of Knowledge is presented in Polari, the coded patois that was utilised in the underground gay culture of 20th century Britain. Meditations on the Apple, the Tree, and the Fall of Man from Terry Pratchett and Neil Gaiman to Haydn show the sheer range of interpretations that story has bred.
The dramatic potential of secret love is a recurring theme, from American poet Lola Ridge’s obscure Secrets to Barbara Strozzi’s secular song L’amante segreto (The Secret Lover), and the mysterious thirteenth variation of Elgar’s Enigma Variations begins a section dealing with coded expressions of affection. Each variation was named for a friend of Elgar’s, and this highly romantic movement, given only as “***†is suspected to refer to Helen Weaver, who was once engaged to the composer. Brahms’s Sextet for Strings no. 2 and Berg’s Lyric Suite both spell out the names of women with whom their composers were infatuated.
What E.M. Forster refers to as “a great unrecorded history†of LGBT+ love stories are revealed in the next section. De Profundis, the great letter Oscar Wilde wrote, ostensibly to his lover Lord Alfred Douglas, during his time imprisoned in Reading Gaol, introduce a swathe of queer love letters – from Tove Jansson to Vivica Bandler, from E.M. Forster about his lover Mohammed el-Adl, from Virginia Woolf to Vita Sackville-West, and Benjamin Britten to Peter Pears. A E Housman’s Because I Liked You Better, about a doomed and possibly unrequited secret love between men and never published during Housman’s lifetime, is given in contrast to Perfume Genius’s Alan, which depicts the delicate, casual intimacy of a marriage between men today.
The link between discoveries inside the human soul and out in the wide universe begins with Alan Turing, who kept the secret of his sexuality whilst making game-changing discoveries during the second world war, is the subject of James McCarthy’s Codebreaker oratorio. Musical and written accounts of Turing’s enigmatic persona and major codebreaking discoveries give way to Thomas Hardy’s reflection on seeing an archaeopteryx fossil In A Museum, Emily Dickinson’s much-debated metaphoric treatment of the earth’s surface in The reticent volcano keeps, and to two very different takes on archaeology. Mike Pitts’ history of British archaeology resonates with eerie ancient Scandinavian music performed on a bone flute, reconstructed from an archaeological discovery made in Sweden.
Anna Meredith’s Blackfriars, a piece Meredith refuses to ascribe or reveal any meaning to, accompanies fragments of American poet Maggie Nelson’s Bluets. Colin Matthews’s completion of Holst’s The Planets, adds Pluto – the Renewer. Pluto was discovered as a planet well after Holst wrote his Planets suite, and then tragically demoted from planet status after Colin Matthews went to the effort of writing it into the suite.
This edition of Words & Music ends a journey from secrecy to discovery on a complicated note: Margaret Atwood’s Journey to the Interior expresses an uneasy desire to venture out into the undiscovered worlds of the wilderness and the self, whilst out of the multi-layered chaos of Philip Glass’s Einstein on the Beach, a love story to rise to the surface: lovers on a park bench. Not a million miles away from the garden we started in.
"And what sort of story shall we hear? Ah, it will be a familiar story, a story that is so very, very old, and yet it is so new."
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Music Played
Timings (where shown) are from the start of the programme in hours and minutes
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00:01
Darius Milhaud
La Creation du Monde
Orchestra: Orchestre national de France. Conductor: Leonard Bernstein.- EMI 7 47845 2.
- Tr1.
-
The Sisters of Perpetual Indulgence
The Polari Bible
Terry Pratchett & Neil Gaiman
Good Omens, read by Bettrys Jones
00:05Joseph Haydn
The Creation
Orchestra: Handel and Haydn Society. Singer: Jeremy Ovenden. Conductor: Harry Christophers.- Coro COR16135.
- Tr28.
Richard Siken
Scheherazade, read by Kingsley Ben-Adir
00:06John Adams
Hallelujah Junction
Performer: Nicolas Hodges.- NONESUCH 7559796992.
- Tr4.
James Baldwin
GiovanniÂ’s Room, read by Kingsley Ben-Adir
Lola Ridge
Secrets, read by Bettrys Jones
00:14Edward Elgar
Variations on an Original Theme (“Enigma”), Op. 36. Xiii. “***”
Orchestra: London Symphony Orchestra. Conductor: John Barbirolli.- EMI CLASSICS 7243 575100 2 8.
- Tr15.
Roland Barthes
A LoverÂ’s Discourse: Unknowable, read by Bettrys Jones
00:19Barbara Strozzi
LÂ’amante segreto (The Secret Lover)
Performer: Peggy Belanger. Performer: Michel Angers.- STRADIVARIUS STR33948.
- Tr15.
A.S. Byatt
Posession: A Romance, read by Bettrys Jones
00:26Joseph Haydn
Sextet for Strings no. 2 (Op.36) in G major, 1st movement: Allegro
Performer: Isabelle Faust. Performer: Julia-Maria Kretz. Performer: Stefan Fehlandt. Performer: Pauline Sachse. Performer: Christoph Richter. Performer: Xenia Jankovic.- HARMONIA MUNDI HMU902075.
- Tr4.
Christina Rossetti
A Discovery, read by Bettrys Jones
00:29Alban Berg
Lyric Suite, iii. Allegro misterioso – trio estatico
Performer: Emerson String Quartet.- DECCA 4788399.
- Tr3.
Oscar Wilde
De Profundis, read by Kingsley Ben-Adir
00:35Philip Glass
Morning Passages (The Hours)
Performer: Michael Riesman.- NONESUCH 7559796932.
- Tr2.
Tove Jansson
Letter to Vivica, read by Bettrys Jones
E.M. Forster
Letter to Florence, read by Kingsley Ben-Adir
Virginia Woolf
Letter to Vita, read by Bettrys Jones
Benjamin Britten
Letter to Peter
00:37Benjamin Britten
Winter Words: Before Life and After
Singer: Peter Pears. Performer: Benjamin Britten.- DECCA 4259962.
- Tr23.
A.E. Housman
Because I Liked You Better, read by Kingsley Ben-Adir
00:41Perfume Genius
Alan
Performer: Perfume Genius.- MATADOR OLE-1113-1.
- Tr13.
Simon Singh
The Code Book, read by Kingsley Ben-Adir
00:45James McCarthy
Codebreaker: Enough & I shall meet him again
Choir: Hertfordshire Chorus. Orchestra: Â鶹ԼÅÄ Concert Orchestra. Conductor: David Temple.- SIGNUM CLASSICS SIGCD495.
- Tr6.
Thomas Hardy
In A Museum, read by Kingsley Ben-Adir
00:52Ludwig van Beethoven
The Creatures of Prometheus (Op.43): Overture
Orchestra: The Deutsche Kammerphilharmonie Bremen. Conductor: Daniel Harding.- VIRGIN CLASSICS 54536427.
- Tr5.
Emily Dickinson
The reticent volcano keepsÂ… read by Bettrys Jones
00:53°Õ°ùä»å
In the village: musical pastimes
Performer: European Music Archaeology Project.- DELPHIAN DCD34181.
- Tr3.
Mike Pitts
Digging Up Britain, read by Kingsley Ben-Adir
Maggie Nelson
Bluets, read by Bettrys Jones
00:56Anna Meredith
Blackfriars
Performer: Anna Meredith.- Moshi Moshi Records MOSHILP67.
- CD2 Tr6.
Robert Macfarlane
Underland read by Kingsley Ben-Adir
01:00Colin Matthews
The Planets viii. Pluto – The Renewer
Orchestra: Hallé. Conductor: Sir Mark Elder.- HELIOS CDH55350.
- Tr8.
Margaret Atwood
Journey to the Interior, read by Bettrys Jones
01:08Philip Glass
Knee Play 5 (Einstein on the Beach)
Performer: Philip Glass Ensemble.- CBS MASTERWORKS M4K 38875.
- CD4 Tr4.
Broadcasts
- Sun 17 Nov 2019 17:30Â鶹ԼÅÄ Radio 3
- Sun 29 May 2022 17:30Â鶹ԼÅÄ Radio 3