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Britten's The Rape of Lucretia

A performance of Britten's chamber opera The Rape of Lucretia given at Glyndebourne, in Fiona Shaw's production. With soloists Claudia Huckle, Kate Valentine and Allan Clayton.

The Rape of Lucretia from Glyndebourne, in Fiona Shaw's production, with Claudia Huckle in the title role and Kate Valentine and Allan Clayton as the Chorus. Nicolas Collon conducts.

Premiered at Glyndebourne in 1946, Britten's chamber opera is an extraordinary and tightly focused treatment of a legend, which has acquired numerous layers in painting, poetry and drama.

Lucretia is raped by the tyrant Tarquinius Superbus, ruler of Rome, and chooses to kill herself rather than live with the shame. The action of the opera is commented on throughout by a Male and Female Chorus who occupy another dimension, at times narrating the story and at times voicing the thoughts of the different characters.

Male Chorus ..... Allan Clayton (tenor)
Lucretia ..... Claudia Huckle (mezzo-soprano)
Female Chorus ..... Kate Valentine (soprano)
Collatinus ..... David Soar (bass)
Junius ..... Oliver Dunn (baritone)
Tarquinius ..... Duncan Rock (baritone)
Bianca ..... Catherine Wyn-Rogers (mezzo-soprano)
Lucia ..... Ellie Laugharne (soprano)
The Glyndebourne Tour Orchestra
Nicholas Collon (conductor).

2 hours, 30 minutes

Last on

Sat 24 Sep 2016 18:30

Music Played

  • Benjamin Britten

    The Rape of Lucretia Act I

    Singer: Claudia Huckle. Singer: Allan Clayton. Singer: Kate Valentine. Singer: Duncan Rock. Orchestra: Glyndebourne Festival Orchestra. Conductor: Nicholas Collon.
  • Benjamin Britten

    The Rape of Lucretia Act II

    Singer: Claudia Huckle. Singer: Allan Clayton. Singer: Kate Valentine. Singer: Duncan Rock. Orchestra: Glyndebourne Festival Orchestra. Conductor: Nicholas Collon.
  • Percy Grainger

    Molly on the Shore

    Ensemble: Royal Northern College of Music Wind Orchestra. Conductor: Clark Rundell.
    • Grainger: Works for Wind Orchestra Vol.4: Royal Northern College of Music Wind O.
    • Chandos.
    • 8.

Synopsis

Act I

The Male Chorus and Female Chorus tell us how the ancient Etruscans seized Rome and how the Etruscan King’s son, the warrior Tarquinius Sextus, ‘treats the proud city as if it were his whore’.

At an army camp outside the city, the generals Collatinus, Junius and Tarquinius discuss how, the previous night, six generals had ridden back to Rome only to find their wives unfaithful – except for Lucretia, the wife of Collatinus. The cuckolded Junius, jealous of Lucretia’s fidelity, mocks and argues with the single Tarquinius.Ìý Junius insists that all women are whores by nature, but the drunken Tarquinius declares that Lucretia is not. ‘I’ll prove her chaste,’ he says, and leaves for Rome.

In an interlude, the Male Chorus describes Tarquinius’s ride to Rome. That evening, at Lucretia’s house in Rome, she sews while her servants Bianca and Lucia are spinning. Lucretia thinks she hears a knock at the gate and hopes it may be her husband Collatinus, but she finds no one there. ‘How cruel men are to teach us love,’ she says.

While the three women retire for the night, the Male Chorus and Female Chorus describe the arrival of Tarquinius in Rome and his violent knock on Lucretia’s door. Claiming that his horse is lame, he asks Lucretia for wine and lodging. She shows him to a room for the night.

Ìý

Act II

The Male Chorus and Female Chorus describe the Etruscan domination of Rome. Lucretia is asleep in her bed when Tarquinius approaches. He kisses her and she, dreaming of Collatinus, draws him closer. But when Lucretia wakes and realises it is Tarquinius, she repulses him. They struggle. Tarquinius overcomes Lucretia.

In an interlude, the Male Chorus and Female Chorus interpret the events of the night from their devout Christian viewpoint. The next morning, Lucia and Bianca arrange flowers. Bianca says she heard Tarquinius gallop away before dawn. Lucretia enters and asks Lucia to send for Collatinus, but Bianca tries to stop the messenger. Collatinus arrives with Junius.

Lucretia tells Collatinus what happened. He insists it will not change their marriage, but Lucretia knows differently.

In an epilogue, the Female ChorusÌý wonders if there is any meaning to these tragic events. The Male Chorus insists that all is made right through Jesus Christ. But the question remains: ‘Is it all?’

© Glyndebourne Opera House

Broadcast

  • Sat 24 Sep 2016 18:30