The Singer and the Song
Jessie Buckley and Julian Ovenden, both actors who sing themselves, with words and music on the theme of singing. Words from Flaubert to Mark Doty and a cornucopia of vocal music
Jessie Buckley and Julian Ovenden, both actors who sing themselves, with words and music that celebrate classical and traditional singing. You'll hear descriptions of the arrogant opera singer in Flaubert's "Madame Bovary", Thomas Hardy's poem about a Ballad Singer and Marge Piercy's admiration of opera, James Joyce's reflections on the tenor Caruso and evocations of wartime concert parties to an amateur choral society's rendition of "Messiah". With vocal music including mezzo Anne Sophie Von Otter with an evening hymn from Purcell, Janet Baker with Edward Elgar's Sea Slumber Song and Elkie Brooks performing her hit Pearl's a Singer.
Jessie Buckley was recently seen in Charlie Kaufman's film I'm Thinking of Ending Things and the TV series Fargo and Chernobyl. She's also in an upcoming TV film of Romeo and Juliet shot by the National Theatre.
Julian Ovenden has starred on Broadway, in the West End, and at the Proms. He was in Ivo van Hove’s All About Eve at the National Theatre and on TV he was in Bridgerton and Adult Material.
Producer : Elizabeth Funning
Readings:
Richard Llewellyn - How Green Was My Valley
Samuel Taylor Coleridge - Kubla Khan
Robert Louis Stevenson - Bright is the Ring of Words
Andrew Marvell - The Fair Singer
John Clare - Ploughman Singing
Thomas Hardy - The Ballad Singer
Marge Piercy - One Reason I Like Opera
Flaubert - Madam Bovary
James Joyce - The Dead
Dylan Thomas - Quite Early One Morning
Siegfried Sassoon - Concert Party (Egyptian Base Camp)
Charlotte Bronte - Shirley
Thomas Hardy - Under the Greenwood Tree
Mark Doty - Messiah (Christmas Portions)
D. H. Lawrence - Piano
Conrad Aiken - Evensong
Last on
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
-
Richard Llewellyn
How Green Was My Valley, read by Julian Ovenden
00:39Johann Sebastian Bach
Sing to the Lord a New Song BWV 225
Performer: Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (conductor).- SDG716.
- Tr 16.
00:04André Previn
Vocalise for voice, cello and piano
Performer: Sylvia McNair (soprano), Yo Yo Ma (cello), Andre Previn (piano).- RCA Red Seal 8869747250 2.
- Tr 11.
Samuel Taylor Coleridge
Kubla Khan, read by Julian Ovenden
Robert Louis Stevenson
Bright is the ring of words, read by Jessie Buckley
00:06William Denis Browne
To Gratiana dancing and singing
Performer: Ian Bostridge (tenor), Julius Drake (piano).- EMI 7243 556830 2 1.
- Tr 5.
Andrew Marvell
The Fair Singer, read by Julian Ovenden
00:11Maurice Ravel
Vocalise en forme de habanera
Performer: Kate Royal (soprano), Academy of St Martin in the Fields, Edward Gardner (conductor).- EMI 3944192.
- Tr 6.
00:14Trad arr Skaila Kanga
Early one morning
Performer: Tommy Reilly (harmonica), Skaila Kanga (harp).- Chandos CHAN 6643.
- Tr 2.
John Clare
Ploughman Singing, read by Jessie Buckley
00:16Trad
The Ox plough song
Performer: James Findlay, Alex Cumming (accordion), Beth Orrell, Linda Adams, (harmony vocals).- Fellside FECD252.
- Tr 4.
Thomas Hardy
The Ballad Singer, read by Julian Ovenden
00:19Arthur Sullivan
I have a song to sing, O (Yeomen of the Guard)
Performer: Sylvia McNair (soprnoa), Thomas Allen (baritone), Academy and Chorus of St Martin in the Fields, Sir Neville Marriner (conductor).- Philips 462 508-2.
- Tr 13.
Marge Piercy
One reason I like opera, read by Jessie Buckley
00:24Giuseppe Verdi
Bella figlia dellamore (Quartet from Rigoletto)
Performer: Luciano Pavarotti (tenor), Huguette Tourangeau (mezzo), Joan Sutherland (soprano), Sherrill Milnes (baritone), London Symphony Orchestra, Richard Bonynge (conductor).- Decca 421303-2.
- Tr 11.
Flaubert
Madam Bovary, read by Julian Ovenden
James Joyce
The Dead, read by Jessie Buckley
00:34Giuseppe Verdi
Questa o quella (Rigoletto)
Performer: Enrico Caruso, Salvatore Cottone (piano).- Naxos Historical 8.110703.
- Tr 3.
Dylan Thomas
Quite Early One Morning, read by Julian Ovenden
00:36Edward Elgar
Sea Slumber Song (Sea Pictures op 37)
Performer: Janet Baker (contralto), London Philharmonic Orchestra, Vernon Handley (conductor).- LPO0046.
- Tr 1.
Siegfried Sassoon
Concert Party (Egyptian Base Camp) , read by Julian Ovenden
00:43Zo Elliot
Theres a long, long trail a-winding
Performer: Sir Thomas Allen (baritone), Malcolm Martineau (piano).- Hyperion CDA 67374.
- 11.
Charlotte Bronte
Shirley, read by Jessie Buckley
00:48Jerry Leiber and Mike Stoller
Pearls a Singer
Performer: Elkie Brooks.- Spectrum 551 329-2.
- Tr 1.
Thomas Hardy
Under the Greenwood Tree, read by Julian Ovenden
00:51William Sterndale Bennett
The Carol Singers
Performer: Benjamin Luxon (baritone), David Willison (piano).- Decca 475047-2.
- CD1 Tr 8.
Thomas Hardy (cont)
Under the Greenwood Tree, read by Julian Ovenden
00:58Anon
Hark! What mean those holy voices?
Performer: Psalmody, The Parley of Instruments, Peter Holman (director).- Hyperion CDA 67443.
- Tr 14.
Mark Doty
Messiah (Christmas Portions) read by Jessie Buckley
01:01George Frideric Handel
Evry Valley shall be exalted (Messiah)
Performer: Martyn Hill (tenor), La Grande Ecurie et La Chambre du Roy, Jean-Claude Malgoire (conductor).- Sony SB2K 63001.
- CD1 Tr 3.
01:05Felix Mendelssohn
Song without words, Book 1 (op 19) no 1, Andante con moto in E
Performer: Howard Shelley (piano).- Hyperion CDA67935.
- Tr 13.
D. H. Lawrence
Piano read by Julian Ovenden
Conrad Aiken
Evensong read by Jessie Buckley
01:10Henry Purcell
An Evening Hymn
Performer: Anne Sofie von Otter (mezzo), Jakob Lindberg (theorbo), Jory Vinikour (organ).- Archiv 4778114.
- Tr 15.
Producer's Note - The Singer and the Song
This edition of Words and Music celebrates the act of singing. Recently we’ve been showered with research showing that singing helps mental and physical health, not to mention the social benefits of singing with others. So let’s indulge in a feel-good sequence of singers in literature and some of the music they sing.
Beginning with an exhortation to all voice types to sing “with shoulders back and head up so that song may go up to the roof and beyond to the sky” , we’ll hear from sopranos, tenors, contraltos and bass baritones, songs with and without words, choral and solo, sacred and secular, artful and artless.
After the joyful motet by Bach, “Sing to the Lord a new song”, Coleridge takes us to the dreamy state of mind woven by the singing Abyssinian maid, a mood reflected in Andrew Marvell’s “Fair singer” who needs only the air to cast her spell.
Then there is rustic song from the countryside – Clare’s ploughman and Hardy’s ballad singer, with some traditional English song.
And so to the opera, where Marge Piercy decidedly puts the movies in their place, talking us through the power of the opera, which is followed by the glorious quartet from Rigoletto, superbly demonstrating the character of each vocal part. Then we join Emma Bovary at a performance of Lucia di Lammermoor, held in thrall by the “part hairdresser part toreador” glamour of the leading tenor. And there is lively discussion of the singers of old from James Joyce, and the inimitable voice of Caruso, recorded in 1902.
After a poignantly brief picture of an old contralto from Dylan Thomas, staring and singing out to sea, there’s a glimpse of a wartime concert party from Siegfried Sassoon, and one of the songs mentioned in the poem, and then Charlotte Bronte’s Shirley sings, far too expressively for the liking of her disapproving audience. They would probably also disapprove of Pearl the singer, who stands up while she plays the piano…
And so to Thomas Hardy’s bumbling and self-important church choir, who have rather overdone the carol singing the night before, as illustrated in Sterndale Bennett’s humorous song. The future for the gallery choir does not look rosy as girls are found to be actually singing in church… But the music is redeemed by a local choral society rendition of “Messiah”, described in transcendent terms in Mark Doty’s poem.
The programme closes with two nostalgic reflections, a song without words accompanying D H Lawrence’s remembrance of a mother singing, and Purcell’s “Evening Hymn” after Conrad Aiken’s vivid scene of a lullaby, drifting out across the city.
Elizabeth Funning, producer
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