麻豆约拍

The two-part story of the record-playing turntable.

Colleen Murphy spins through its early history and the dramatic take-up of this new technology in Edwardian society. It was an enthusiasm as spectacular as the computer's rise at the end of the same century and its impact on the music industry was profound.

Colleen talks to John Liffen of the Science Museum and Christopher Proudfoot of the British Phonograph and Gramophone Society about the earliest machines arriving from the USA by way of the German Emigre inventor Emile Berliner.

She finds out why the HMV (His Master's Voice) image wasn't initially created for the Gramophone at all, and most important of all she gets to hear the sound qualities of the machines that developed in the first two decades of the 20th century.

That capacity to bridge the performer with the audience was the great miracle of the early years and allowed the easy spread of musical styles from Ragtime to Jazz to the first superstars of the Turntable world - the Opera stars. And yet, as ever, it was popular culture that dominated the market and drove sales.

She also touches on the new opportunities for the Blues and Ragtime musicians of African-American society to be heard beyond their geographical centres in the Southern States, and the preservation of performances which would go on to inspire British Rhythm and blues half a century later.

And Antiques Roadshow expert Paul Atterbury talks about the Gramophone as a blend of home furnishing and status symbol.

Also why - what appear to be exotic survivors of the period - are actually part of a massive number of machines that were on sale from bike shops to music emporia.

Producer: Tom Alban

First broadcast on 麻豆约拍 Radio 4 in March 2016.

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