Jesus' Blood and Fluffy Clouds
British composers consider how the aesthetic and techniques of minimal music migrated from the America of Steve Reich and Philip Glass to every corner of modern musical life.
The story of the musical aesthetic and the ubiquitous technique of minimalism.
Fifty years since the emergence of a challenging new 'art school' attitude to musical composition emerged in the United States - in the work of Terry Riley, Steve Reich and others - various techniques associated with 'minimalism' have been absorbed into every aspect of modern musical life, from the pop industry and dance scene, to film scores and religious music, as well as contemporary concert music.
In this second episode, British composers trace how the minimalist aesthetic has informed music as diverse as John Tavener's Song for Athene and The Orb's Little Fluffy Clouds. Contributors include Gavin Bryars, composer of the iconic Jesus' Blood Never Failed Me Yet, film and dance composer Jocelyn Pook, Indian percussion player and composer Talvin Singh, Alex Paterson of The Orb and the most minimal of English composers Laurence Crane.
Produced by Alan Hall
A Falling Tree production for Βι¶ΉΤΌΕΔ Radio 4.
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