麻豆约拍

Acknowledged as one of the most influential composers of the late 20th century, Philip Glass's new memoir 'Words without Music' follows his story from his childhood in Baltimore, via the Juilliard school of music, studying under Nadia Boulanger in Paris to worldwide recognition. Sara Mohr-Pietsch asks Glass about how he approached writing the book and some of the many encounters inside it.听 Sara reviews the book with Mark Swed, the classical music critics of the Los Angeles Times.

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Composer Tansy Davies's first opera 'Between Worlds' opens at the Barbican Theatre in London on Saturday 11th April. Co-commissioned by English National Opera and the Barbican, it鈥檚 inspired by the events of 9/11.听 Sara meets Tansy along with the opera鈥檚 librettist Nick Drake and director Deborah Warner to find out more about this highly anticipated piece and why they felt the time was right to address the events of 9/11 on the opera stage.

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English Touring Opera play in more venues than any other English opera company. Sara takes a trip to Norwich to explore life on the road with ETO who were at the city鈥檚 Theatre Royal to perform Puccini's La Boheme and two rare Donizetti operas. She talks to members of the company and Artistic Director James Conway about the challenges and joys of a touring opera company.

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The next instalment in the occasional series for Music Matters in which Professor Cliff Eisen goes 'Inside Song,' forensically examining the music and lyrics of some of the greatest songs in musical history, and telling the stories behind the melodies.

Today it鈥檚 the turn of Francis Poulenc鈥檚 鈥淐鈥�, a setting of Louis Aragon鈥檚 1942 poem of the same name. It is a lament for the destruction of the bridges spanning the Loire river in France during the Second World War 鈥� and indeed the possible destruction of the whole French way of life. It ends however with a ray of hope, something much needed when Poulenc composed this song in 1943.听

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