Main content
Sorry, this episode is not currently available

The Composer in Society

Judith Weir discusses the role of a composer in society as well as her enjoyment of working with performers and students, and communicating with the public.

Judith Weir discusses the role of a composer in society and her enjoyment of working with performers, students and her new role as Master of the Queen's Music.
One of our most distinguished composers, in July 2014 Judith Weir succeeded Sir Peter Maxwell Davies as Master of the Queen's Music. It's an honour that joins an already impressive collection of awards, which include a CBE and the Queen's Medal for Music. Born in 1954 into a musical Scottish family, Weir grew up near London. A member of the National Youth Orchestra of Great Britain, Weir studied composition with John Tavener during her school holidays. More formal studies followed at Cambridge University, including composition with Robin Holloway, and at Tanglewood summer school, where she worked with Gunther Schuller. The possessor of a rich, fertile imagination, Weir draws on a wide variety of sources, notably dark fairytales, folk stories, Chinese philosophy, Indian music and culture, distilling their essence in music of luminous clarity. Her fundamental concern is to tell stories. An articulate communicator, Weir's writing about her music encapsulates the process brilliantly. In this series, Weir offers a personal insight into some of the musical projects which have occupied her since the beginning of the noughties.

In the final chapter of this week's survey, Judith Weir talks to Donald Macleod about her role as Master of the Queen's Music and looks back at the relationships she's forged over the years, with her recording company, performers and arts and academic organisations, plus a look ahead to some of her future projects.

To Judith, from Judith (No 5 of Variations for Judith: 11 Short Reflections on Bist du bei mir (G H Stölzel arr. JS Bach))
Melvyn Tan, piano.

1 hour

Last on

Fri 3 Apr 2015 18:30

Music Played

  • Judith Weir

    Variations For Judith For Piano [eleven Short Reflections On Bist Du Bei Mir By

    Performer: Melvyn Tan.
  • Judith Weir

    Blackbirds And Thrushes For Bass-Baritone And Piano

    Performer: Iain Burnside. Singer: George Mosley.
  • Judith Weir

    Vertue For Chorus

    Choir: Gonville and Caius Coll. Cambridge Choir. Conductor: Geoffrey Webber.
    • DELPHIAN : DCD34095.
    • DELPHIAN.
    • 3.
  • Judith Weir

    Piano Quartet

    Ensemble: Schubert Ensemble.
    • NMC:D090.
    • NMC.
    • 9.
  • Judith Weir

    Winter Song For Orchestra

    Orchestra: Βι¶ΉΤΌΕΔ Symphony Orchestra. Conductor: AndrΓ© de Ridder.

Broadcasts

  • Fri 3 Apr 2015 12:00
  • Fri 3 Apr 2015 18:30

Vaughan Williams Today

Vaughan Williams Today

Programmes, concerts and features celebrating Vaughan Williams's 150th anniversary.

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.