Monday - Sarah Walker with Andrew Marr
With Sarah Walker. Including Five Reasons to Love La Folia; Musical Challenge; Artist of the Week: violinist Joshua Bell; Sarah's Essential Choice: Palestrina: Missa Papae Marcelli.
Discover definitive recordings of the greatest classical music with your trusted guide, Sarah Walker. Her guest this week is the broadcaster and writer Andrew Marr.
9am
A selection of music including '5 Reasons to Love...La Folia.' This week Sarah explores the musical phenomenon La Folia, one of the oldest remembered European musical themes. Literally meaning madness or folly, this theme has its roots in the 16th century and was first published in 1672. It has since been used by more than 150 composers.
9.30am
Take part in our daily musical challenge: can you tell us what happened next?
10am
Sarah's guest this week, discussing his favourite classical music every day at 10am, is the broadcaster and writer Andrew Marr. He reveals the important role music played in his recovery after he suffered a stroke in 2013, and in particular the recuperative effects of Mahler. Andrew also shares his love of Verdi's Falstaff, Schubert lieder and the music of Thomas Arne, as well as his interest in Russian music including works by Shostakovich and Prokofiev.
10.30am
Sarah's featured artist this week is the virtuoso violinist Joshua Bell. One of the most celebrated violinists of his time, Bell has made more than forty recordings since he recorded his first LP aged just eighteen. Equally at home as both a soloist and a chamber musician, Bell is also an acclaimed orchestra leader and has recently named as the Music Director of the Academy of St Martin in the Fields. Sarah explores Bell's performances of works by composers including Tchaikovsky, Debussy and Mozart.
11am
Today's Essential Choice is taken from the Building a Library recommendation from last Saturday's CD Review.
Palestrina
Missa Papae Marcelli.
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Music Played
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George Gershwin
Prelude No 1
Performer: Joshua Bell. Performer: John Williams.- Sony.
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Sergey Rachmaninov
Prelude in A flat major, Op.23 no.8
Performer: Howard Shelley.- HYPERION.
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Joachim Raff
Romeo and Juliet Overture WoO51
Conductor: Neeme Järvi. Orchestra: Suisse Romande Orchestra.- CHANDOS.
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Clément Janequin
Le chant des oiseaux
Ensemble: Concert Clemens.- DANACORD.
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5 Reasons to Love... La Folia
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Rodrigo MartÃnez
La Folia - Improvisations D'Après Le Villancico Du CMP (Anonyme)
Director: Jordi Savall.- ALIA VOX.
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Jean Sibelius
Romance, Op 78 No 2
Performer: Joshua Bell. Performer: Samuel Sanders.- DECCA.
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Wolfgang Amadeus Mozart
Symphony No.42 in F K.75
Orchestra: Symfonický orchestr hlavnÃho mÄ›sta Prahy FOK. Conductor: Charles Mackerras.- TELARC.
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Franz Liszt
Annee de Pelerinage: Book III Angelus!
Performer: Zoltán Kocsis.- PHILIPS.
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Andrew Marr's Choice No. 1
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George Frideric Handel
Messiah: excerpt
Conductor: Georg Solti. Orchestra: Chicago Symphony Orchestra.- DECCA.
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Andrew Marr's Choice No. 2
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Dmitry Shostakovich
Piano Concerto No.2: slow movement & finale
Performer: Dmitri Alexeev. Orchestra: English Chamber Orchestra. Conductor: Jerzy Maksymiuk.- EMI.
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John Dowland
My Lady Hunsdon's Puffe
Performer: Paul O’Dette.- Harmonia Mundi.
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Artist of the Week: Joshua Bell
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Johann Sebastian Bach
Violin Concerto in E major, BWV 1042
Performer: Joshua Bell. Orchestra: Academy of St Martin in the Fields.- SONY.
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Amilcare Ponchielli
La Gioconda - Dance of the Hours 8:54
Performer: Â鶹ԼÅÄ Philharmonic. Performer: Gianandrea Noseda (conductor).- CHANDOS.
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Essential Choice
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli
Conductor: Jeremy Summerly. Choir: Oxford Camerata.- Naxos.
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AntonÃn Dvořák
Lasst mich allein: no.1 from 4 Lieder, Op.82
Performer: Alisa Weilerstein. Performer: Anna Polonsky. Music Arranger: John Lenehan.- Alisa Weilerstein Dvorak.
- DECCA.
- 4.
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Ernest Chausson
Soir de fete, Op.32
Orchestra: Â鶹ԼÅÄ Philharmonic. Conductor: Yan Pascal Tortelier.- CHANDOS.
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Novacek
Moto perpetuo 2:45
Performer: Joshua Bell (violin). Performer: Samuel Sanders (piano).- DECCA.
Classical Consequences
One day Liszt was asked to take tea with aÌýnoblewoman who had invited several of her friends, and had positioned her piano in the centre of the room, hoping that Liszt would play for them. When the composer arrived, he instantly realised the lady's intentions, and playing along asked her where the piano was. What happened next?
Ìý
The lady wasÌýdelighted at the prospect ofÌýLiszt playing for her audience, but dismayed when instead of playing the piano,Ìýthe composerÌýmerely used it as a hat stand.
Broadcast
- Mon 5 Jan 2015 09:00Â鶹ԼÅÄ Radio 3