麻豆约拍

Tom Service presents the first in the new series of Music Matters - a special edition on the 18th-century French composer Jean-Philippe Rameau, who died 250 years ago this month. Tom meets some of the leading performers and interpreters of Rameau's music to discover more about this mysterious but highly influential theorist, composer and Enlightenment figure.

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Graham Sadler, the author of a new definitive Rameau biography, talks to Tom about the first forty years of Rameau鈥檚 life 鈥� a period about which little had been known until now. He came from a volatile family of musicians, some of whom were known to have been in trouble with the law. After dropping out of school, Rameau spent time in Italy before returning to France and becoming a provincial organist for decades. He didn鈥檛 find success as an opera composer in Paris until 1733 at the age of 50.

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Tom visits Paris to meet Patrick Florentin, President of the Rameau Society at the Caf茅 Procope, which opened in 1686 and was the scene of many a heated debate between Rameau and his collaborators: Enlightenment luminaries like Jean-Jacques Rousseau and Voltaire, all of whom Rameau typically fell out with.

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An array of musicians tell Tom why Rameau was such a radical composer and how his theories and the way in which they found expression in his composition was unique in musical history. Harpsichordist Davitt Moroney demonstrates how invaluable Rameau鈥檚 writing on technique has been for him, conductor and harpsichordist Christophe Rousset describes how crucial Rameau鈥檚 thinking was in terms of the Enlightenment era and conductors Jonathan Williams and Emmanuelle Ha茂m, who are both currently working on productions of Rameau鈥檚 operas, discuss what he did to further the form and even lay foundations for composers like Mozart, Debussy and Ravel. The soprano Carolyn Sampson tells Tom why she loves singing his music so much and choreographer Edith Lalonger stresses how crucial dance is in Rameau鈥檚 operas.

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Tom finishes his exploration of Rameau鈥檚 life and music at the Church of Saint Eustache in Paris where the composer is buried.

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