Martin Suckling, David Fennessy, Alvin Lucier
Robert Worby presents the final instalment of highlights from Ilan Volkov's Tectonics festival, this week highlighting the work of British composers as part of this month's celebration of British Music, and including several World Premieres of Βι¶ΉΤΌΕΔ Commissions.
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The Hear and Now Fifty - Alvin Lucier
David Toop and sound artist Kaffe Matthews explore Alvin Lucier’s I am sitting in a room.
Music Played
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David Fennessy
Prologue (Silver are the tears of the moon) (Βι¶ΉΤΌΕΔ Commission, World Premiere)
Performers: Βι¶ΉΤΌΕΔ Scottish Symphony Orchestra, Ilan Volkov (conductor)
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Frank Denyer
The Colours of Jellyfish (Βι¶ΉΤΌΕΔ Co-Commission with the Iceland Symphony Orchestra, UK Premie
Performers: Βι¶ΉΤΌΕΔ Scottish Symphony Orchestra, Juliet Fraser (soprano), Children from St. Mary's Episcopal Cathedral Choir, Edinburgh, Ilan Volkov (conductor)
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Martin Suckling
Release (Βι¶ΉΤΌΕΔ Commission, World Premiere)
Performers: Βι¶ΉΤΌΕΔ Scottish Symphony Orchestra, Ilan Volkov (conductor)
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Charles Ross
The Ventriloquist (UK premiere)
Performers: Βι¶ΉΤΌΕΔ Scottish Symphony Orchestra, Ilan Volkov (conductor)
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Alvin Lucier
Music for Cello and One or More Amplified Vases
Performers: Anton Lukoszevieze (cello)
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John De Simone
Geek (Βι¶ΉΤΌΕΔ Commission, World Premiere)
Performers: Βι¶ΉΤΌΕΔ Scottish Symphony Orchestra, Ilan Volkov (conductor)
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Alvin Lucier
Nothing is Real (Strawberry Fields Forever) for piano, amplified teapot and miniature soun
Performers: Frank Denyer (piano), Alvin Lucier (teapot)
Broadcast
- Sat 1 Jun 2013 22:00Βι¶ΉΤΌΕΔ Radio 3
Sound of the Week
Stockhausen’s Gruppen – What’s the Big Deal?
A user-friendly guide to a masterpiece of music’s post-War avant-garde.