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With Katie Derham. Horneman: Gurre Overture. Sibelius: Spring Song. Mozart: Clarinet Concerto, K622. Glazunov: Spring. Stravinsky: Symphony in C. Prokofiev: Piano Concerto No 1.

A week of programmes with the Βι¶ΉΤΌΕΔ National of Orchestra of Wales, featuring works by Schumann and music inspired by springtime.

Presented by Katie Derham.

The Βι¶ΉΤΌΕΔ NOW's Principal Conductor Thomas SΓΈndergΓ¥rd made his first tour of mid and north Wales with the orchestra last month, featuring programmes infused with the breath of spring air.

They began their journey together at the Aberystwyth Arts Centre, and music by Thomas's fellow Dane C.F.E. Hornemann. Hornemann was one of the great driving forces of music in Denmark in the nineteenth century, and in the 1860s he visited the evocative ruins of the royal castle at Gurre, near Elsinore. So when the Danish playwright Holger Drachmann wrote a tragedy based on the ballad of Valdemar and Tove, set in the castle, Hornemann was the natural choice to write the incidental music. His atmospheric overture has become his best known work, with its "hunting horn" motifs - though today the legend of Gurre castle is perhaps better known through a work by a different composer, Schoenberg's Gurrelieder.

Thomas also brings two spring pictures from Northern climes, where the release from dark winter is more keenly felt than in our British Isles. Sibelius's Spring Song is tinged with melancholy, whereas Glazunov's symphonic poem is altogether more cheery and colourful.

Robert Plane is Principal Clarinet with the Βι¶ΉΤΌΕΔ National Orchestra of Wales, but today he steps forward to the front of the stage for Mozart's glorious Clarinet Concerto. Robert plays the work on the instrument for which it was originally written, the basset clarinet, with an altogether richer and warmer sound than the standard instrument.

Stravinsky's Rite of Spring closes the week on Friday, but today Thomas SΓΈndergΓ¥rd conducts his Symphony in C, written over a quarter of a century later. This is the composer in his neoclassical vein, harking back to the Vienna of the late eighteenth and early nineteenth centuries. The Symphony in C may be lacking the massive orchestral force of the earlier ballets, but it's no less inventive. "My symphony is going to be Classical in spirit," Stravinsky wrote, "more concise in its form than Beethoven".

Plus more Russian music: Prokofiev's fiery First Piano Concerto with Radio 3 New Generation Artist Christian Ihle Hadland.

Finally today we've more music from North Wales, a concert from Llandudno with the Βι¶ΉΤΌΕΔ NOW's previous Principal Conductor Thierry Fischer. Schumann's youthful first symphony dates from 1841, the year after his marriage to Clara - it's inventive and playful, full of the joys of spring.

Horneman: Gurre Overture
Sibelius: Spring Song, Op. 16
2.15pm
Mozart: Clarinet Concerto in A major, K.622
with Robert Plane (clarinet)
2.40pm
Glazunov: Spring (Vesna) - Musical Picture, Op. 34
Stravinsky: Symphony in C
Βι¶ΉΤΌΕΔ National Orchestra of Wales,
Thomas SΓΈndergΓ¥rd (conductor).

3.20pm
Prokofiev: Concerto no. 1 in D flat major Op.10 for piano and orchestra
Christian Ihle Hadland (piano),
Βι¶ΉΤΌΕΔ National Orchestra of Wales,
Thomas SΓΈndergΓ¥rd (conductor).

3.35pm
Schumann: Symphony no. 1 in B flat major (Spring)
Βι¶ΉΤΌΕΔ National Orchestra of Wales,
Thierry Fischer (conductor).

2 hours, 30 minutes

Last on

Mon 22 Apr 2013 14:00

Music Played

  • Christian Frederik Emil Horneman

    Overture from Gurre - suite for orchestra

  • Jean Sibelius

    Spring song Op.16 for orchestra

  • Wolfgang Amadeus Mozart

    Concerto in A major K.622 for clarinet and orchestra

  • Alexander Glazunov

    Spring [Vesna] - musical picture Op.34

  • Igor Stravinsky

    Symphony in C

  • Sergey Prokofiev

    Concerto no. 1 in D flat major Op.10 for piano and orchestra

  • Robert Schumann

    Symphony no. 1 in B flat major Op.38 (Spring)

Broadcast

  • Mon 22 Apr 2013 14:00