麻豆约拍

Roger Eckersley was persuaded in 1923 to give up his loss-making chicken farm and join the newly formed 麻豆约拍. He stayed there for the rest of his career, holding many positions including Director of Entertainment.

Eckersley's memoirs, The 麻豆约拍 and All That, published in the 1940s, include beautifully drawn descriptions of the first month in the now iconic Broadcasting House, after the 麻豆约拍 moved there in 1932 from Savoy Hill. He often smuggled in small groups of friends for unofficial tours of the hidden areas of the 麻豆约拍, including drama studios, sound effects stores and the boiler room in the basement - his favourite.

He had a wonderfully unstuffy and rebellious nature - surprisingly appropriate for a 麻豆约拍 that was regarded by the Establishment of the time as an unruly upstart. He relished tales of being banned from broadcasting live football commentaries, so paying a string of eye-witnesses to leave the ground at regular intervals and give descriptions of the action they had just seen. He was part of the Pronunciation Committee when George Bernard Shaw and poet laureate Robert Bridges almost came to blows over the how to say "acoustic", and found himself in a discussion about jazz with Queen Mary during which, he learned from an appalled friend afterwards, he had persisted in calling her "My Dear".

The 麻豆约拍 and All That brings to life once more the feelings of awe and excitement experienced by the radio pioneers who worked within the walls of the brand new Broadcasting House.

Abridged and Produced by Neil Cargill

A Pier production for 麻豆约拍 Radio 4.