Architecture
Texts and music on the theme of architecture, with readings by Indira Varma and Robert Glenister. Includes Ballard, Hardy and Larkin, plus Dufay, Gabrieli and Varese.
Indira Varma and Robert Glenister read poetry and prose on the subject of architecture and the built environment, from the earliest known treatise by Vitruvius to J.G. Ballard's dystopian vision of the modern high-rise. Other texts include poems by Thomas Hardy, Philip Larkin and Stephen Spender, critical writing by John Ruskin and Robert Venturi, and a passage from Milton's Paradise Lost. With music from Dufay, Stravinsky, Gabrieli, Varese, Debussy, Widor and Mussorgsky.
Last on
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
-
00:00
Guillaume Dufay
Nuper rosarum flores
Performer: Pomerium Performer: Alexander Blachly
- Archiv 447 773-2.
-
Italo Calvino trans. William Weaver
Invisible Cities, reader Indira Varma
00:02Pierre Henry
Messe de Liverpool, movement 6: Communion
Performer: Jacques Spacagna Performer: Pierre Henry (electronics)
- Philips 464 402-2.
Jim Crace
Arcadia, reader Robert Glenister
00:04Leos Janáček
Sinfonietta, movement 1
Performer: Vienna Philharmonia Performer: Charles Mackerras (conductor)
- DECCA 448 266-2.
Vitruvius trans. Morris Hicky Morgan
The Ten Books of Architecture, reader Indira Varma
00:08Igor Stravinsky
Dumbarton Oaks
Performer: Orpheus Chamber Orchestra
- DG 419 628-2.
- 1.
Henry David Thoreau
House-Warming (from Walden)
00:15Claude Debussy
Prelude, Book 1 No.10: La cathedrale engloutie
Performer: Nelson Freire (piano)
- DECCA 478 1111.
Sir Walter Scott
Melrose Abbey (from The Lay of the Last Minstrel), reader Indira Varma
Philip Larkin
Church Going, reader Robert Glenister
00:22Arvo Pärt
Fratres
Performer: The 12 Cellists of the Berlin Philharmonic Orchestra
- ECM 817 764-2.
00:25Paul Lansky
Night Traffic
Performer: Paul Lansky (electronics)
- Bridge BCD 9035.
Robert Venturi
Learning from Las Vegas, reader Indira Varma
00:27Bobby Troup
Route 66
Performer: Nat King Cole (piano and bandleader) Performer: Harry Sweets Edison (trumpet soloist)
- Capital CDP 748 328-2.
00:30György Ligeti
Etude for organ No.1
Performer: Zsigmond Szathmary (organ)
- Wergo WER 60161-50.
J.G.Ballard
High-Rise, reader Indira Varma
John Milton
Paradise Lost, reader Robert Glenister
00:37Charles‐Marie Widor
Symphonie Gothique, movement 3
Performer: Marie-Claire Alain (organ)
- ERATO ECD88111.
John Ruskin
The Lamp of Sacrifice (from The Seven Lamps of Architecture), reader Indira Varma
00:42Giovanni Gabrieli
Canzon duodecimi toni à 10, C.179
Ensemble: Empire Brass Quintet and friends. Conductor: Rolf Smedvig.Performer: The Wallace Collection Performer: Simon Wright (conductor)
- Nimbus NI5236.
Thomas Hardy
Rome: Building a New Street in the Ancient Quarter, reader Indira Varma
00:46Morton Feldman
Rothko Chapel, movement 2
Performer: The California Ear Unit Performer: Philip Brett (conductor)
- New Albion NA039CD.
William Carlos Williams
Classic Scene, reader Robert Glenister
00:47Modest Mussorgsky
Il vecchio castello from Pictures at an Exhibition
Performer: Berlin Philharmonic Performer: Herbert von Karajan (conductor)
- DG 423 901-2.
Charles Dickens
Oliver Twist, reader Indira Varma
Stephen Spender
The Pylons, reader Robert Glenister
00:53Edgard Varèse
Hyperprism
Performer: ASKO Ensemble Performer: Riccardo Chailly (conductor)
- DECCA 475 487-2.
00:57Pierre Henry
Messe de Liverpool, movement 6: Communion
Performer: Jacques Spacagna Performer: Pierre Henry (electronics)
- Philips 464 402-2.
Percy Bysshe Shelley
Ozymandias
Producer's Note
Much of the work included in this programme has links to the gothic cathedrals of Europe: that of Rouen, whose decorative features John Ruskin writes about in The Seven Lamps of Architecture; Brunelleschi's dome in Florence for which Dufay composed his motet Nuper rosarum flores; and St Mark's in Venice, whose opposing choir lofts enabled Gabrieli to explore spatial effects and antiphony in his music.
There's also Sir Walter Scott's romantic vision of Melrose Abbey, and Debussy's depiction of the mythical submerged cathedral of Ys in La cathédrale engloutie. But it's not just ecclesiastical architecture that has provided the inspiration here; we have texts about municipal facilities, chimneys, and car parks. Vitruvius expounds the virtues of public building and calls for durability, convenience, and beauty.
We have the utopian fusion of city and countryside in Jim Crace's Arcadia, the grim apartment block dystopia of J.G. Ballard's High-Rise, as well as a vision of Hell itself in the building of Pandemonium from Milton's Paradise Lost. We're given three views of industrial architecture: William Carlos Williams’s Classic Scene, based on painting by Charles Sheeler; the "smoked-stained storehouses" of the Thames in Charles Dickens's Oliver Twist; and Stephen Spender's poem The Pylons, a response to the changing British landscape of the 1930s and whose mood is reflected in the coruscating percussion of Varese's Hyperprism.
What do we desire of architecture? This is a question posed by Italo Calvino as an explorer describes to an ageing emperor a mysterious metal building in the fantastical city of Fedora in his novel Invisible Cities; accompanying this passage, and the tale of fallen empire in Shelley's Ozymandias, is Pierre Henry's Messe de Liverpool, musique concrète created for the 1967 consecration of that city's futuristic Metropolitan Cathedral.
Broadcasts
- Sun 26 Aug 2012 18:30鶹Լ Radio 3
- Sun 4 Sep 2016 18:00鶹Լ Radio 3
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