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Mahler: Symphony No. 4
Stephen Johnson explores darker undercurrents in Mahler's Symphony No. 4, as well as the composer's other life as one of the greatest opera conductors of his day.
With its pipe tunes and folky finale, Mahler's Symphony No. 4 presents itself as the odd man out amongst the composer's grand and imposing symphonies. But is it really? Stephen Johnson explores darker undercurrents in the work, as well as shadows of the composer's other life as one of the greatest opera conductors of his day.
Last on
Fri 20 Apr 2012
20:05
Βι¶ΉΤΌΕΔ Radio 3
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- Fri 20 Apr 2012 20:05Βι¶ΉΤΌΕΔ Radio 3
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