Βι¶ΉΤΌΕΔ announces The Big British Asian Summer
Alison Kirkham, Controller, Βι¶ΉΤΌΕΔ Factual Commissioning, announces The Big British Asian Summer - a new pan-Βι¶ΉΤΌΕΔ season of programmes coming to screens in August.
The Big British Asian Summer is a season of statement films and celebratory programmes from across the Βι¶ΉΤΌΕΔ exploring the cultural, social and familial impact of these two regions of the world coming together.
Numbering over three million, British Asians are now the biggest minority population in Britain. They’re not just part of the fabric of contemporary Britain - they’ve helped create it.
In an ambitious season reflecting the here and now, as well as the journey travelled, British Asians share their stories in all their richness and complexity - stories that are as British as they are Asian, as cultures from these two great regions of the world have come together.
Alison Kirkham, Controller, Factual Commissioning says: "The Big British Asian Summer is a wonderfully rich season of programmes from across the Βι¶ΉΤΌΕΔ exploring the cultural, social and familial impact of these two regions of the world coming together. From Bollywood to Sharwoods, the season will encompass a huge range of shows - sometimes celebratory, sometimes challenging, always inspiring. Today's announcements are just the start. There’s much more to come as we look to an exciting Summer of programmes.”
Fozia Khan, Channel Commissioner, Βι¶ΉΤΌΕΔ Two, says: "We are delighted that Βι¶ΉΤΌΕΔ Two will be at the heart of the Big British Asian Summer. From nostalgic cookery series A Taste of Βι¶ΉΤΌΕΔ (with restaurateur, Nisha Katona) to the major social history series Passengers (presented by historian Yasmin Khan) the season promises to be both celebratory and questioning.
"The season is a brilliant way for Βι¶ΉΤΌΕΔ Two to champion the unique creativity that emerges from the coming together of cultures, as well as showcasing new talent and tackling big important questions about identity and belonging from different perspectives."
The Big British Asian Summer will celebrate the cultural and artistic contribution of Asian Britons, and also explore the fault lines between white and non-white Britain - as this unique fusion of cultures hasn’t happened without tensions.
Today, the first titles in the season have been announced, with more programmes from across the Βι¶ΉΤΌΕΔ to be announced in the coming weeks.
Programmes include a three-part series Passengers, which uses extraordinary archive to piece together the lives of arrivals to Britain from the Indian subcontinent 1930s and 1960s and a two-part series with Anita Rani exploring a world that has captured the imaginations of some British Asians so wholeheartedly that they are traveling East to seek fame and fortune - that of Bollywood. One-off film Leicester Sings (w/t) is Brian Hill’s new documentary musical for Βι¶ΉΤΌΕΔ One telling the story of a family, exiled from Uganda in 1972, arriving in Leicester with nothing and becoming a glorious success story of immigration and multiculturalism.
In A Taste Of Βι¶ΉΤΌΕΔ cook Nisha Katona will reveal the secrets of incredible homemade curries. And there will be specially commissioned episodes of Βι¶ΉΤΌΕΔ Two favourites Inside The Factory, which will shine a spotlight on curry, and Gardeners' World, which will celebrate South Asian influences on British Gardens. Βι¶ΉΤΌΕΔ Four will broadcast a documentary on last Maharajah of the Punjab, who was wrenched from his mother's arms as a child and put into the care of an official of the British Empire.
In British Asian Men (w/t) presenter Mehreen Baig will explore the stories of a number of different British Asian communities, and the challenges facing some of their young men, and Made In Asia: Looking For Mum (w/t) tells the unfolding story of four women adopted from the Indian subcontinent as a baby, trying to find their biological mothers.
SH6
A Passage To Britain
Βι¶ΉΤΌΕΔ Two
Netra Dutt, 21, a student from Calcutta travelling to London in 1933; Ahmed Takolia, a 30 year-old, heading for The Midlands in 1954; Bert Scott, travelling in 1948 with his wife Dolly and daughters Anne, three, and Lesley, one, in 1948, and Rasiklal Devi – a 34 year-old medical practitioner arriving in 1956.
Thousands of lives. Thousands of new beginnings. All stemming from an extraordinary archive - the passenger lists of ships that sailed to Britain from the Indian subcontinent from 1878 to 1960.
In a three-part series for Βι¶ΉΤΌΕΔ Two, Dr Yasmin Khan, an expert in Asian history from Oxford University, uses the lists as her starting point to forensically piece together the lives of the some of the new arrivals who came to Britain from the Indian subcontinent between the 1930’s and 1960.
Painstakingly tracking down individual passengers and their descendants, she discovers how their untold stories shed light on our wider history, revealing how Britain changed them and how they changed Britain.
A Passage To Britain* (3x60') is a Wall To Wall production for Βι¶ΉΤΌΕΔ Two. The Executive Producer is Emily Shields and the Series Producer is Helen Nixon. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and Tom McDonald, Head of Commissioning, Natural History and Specialist Factual. The Βι¶ΉΤΌΕΔ Commissioning Editor is Abigail Priddle.
*This was announced with the working title ‘Passengers’.
Βι¶ΉΤΌΕΔ Two
Anita Rani grew up in Bradford feasting, like many British Asians, on the bright sights and vibrant sounds of Bollywood. Now, she embarks on a journey through the extraordinary world of Indian cinema. She meets some of her big-screen idols and discovers how an industry based on centuries old traditions is racing to keep up with the changing tastes of one of the youngest countries on earth.
She has exclusive access to the largest films in production across India to meet some of Bollywood’s biggest stars, as well as a new generation of westerners drawn to India by the sheer volume of films made there each year; three times as many as Hollywood.
She’ll discover the rich history and traditions behind the famous dance numbers, reveal the secrets behind creating the biggest action scenes and see how modern Bollywood is using its incredible power to challenge and change Indian society.
Bollywood: The World’s Biggest Film Industry (2x60') is a Raw Television Production for Βι¶ΉΤΌΕΔ Two. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and Tom McDonald, Head of Commissioning, Natural History and Specialist Factual. The Executive Producer for Raw is Dominique Walker and the Series Producer is Chris Parkin. The Βι¶ΉΤΌΕΔ Commissioning Editor is Abigail Priddle.
Βι¶ΉΤΌΕΔ Two
Across two hour-long episodes, this series tells the unfolding story of four women, each adopted from the Indian subcontinent as a baby, trying to find their biological mothers. These are emotional, raw and unpredictable journeys as each adoptee searches for the truth about how they were brought into the world and the families they left behind.
Over 20,000 babies have been adopted from India and Sri Lanka in the last 40 years. Many of these adoptees have grown up knowing little about the countries of their birth. As these women return – most for the first time – they are searching as much for their roots and a lost identity, as for the people who brought them into the world.
Some will find answers, others will be left with greater questions about their adoption and the truth of their past.
Searching For Mum* (2x60') is a Raw production for Βι¶ΉΤΌΕΔ Two. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and Clare Sillery, Head of Commissioning, Documentaries. The Executive Producer for Raw is Liesel Evans, the Series Producer/Director is Will Lorimer. Jamie Balment is the Βι¶ΉΤΌΕΔ Commissioning Editor.
*This was announced with the working title Made In Asia: Looking For Mum
British Asian Men (w/t)
Βι¶ΉΤΌΕΔ Two
Sixty years after the first major waves of immigration from the Indian subcontinent, why are there such disparities in how well different communities are faring in the UK, and why are women from South Asian backgrounds now outstripping their male peers? In this programme presenter Mehreen Baig (main image) explores the stories of a number of different British Asian communities, and the challenges facing their young men.
Drawing on her background as a teacher at a state school in Tottenham, Mehreen will begin with the question of education, but her encounters with a wide range of young men and families will explore attitudes to work, relationships and identity and how these differ across immigrant communities, age groups and different parts of Britain.
British Asian Men w/t (1x60) is a Swan Films production for Βι¶ΉΤΌΕΔ Two. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and Tom McDonald, Head of Commissioning, Natural History & Specialist Factual. The executive producers for Swan Film are Neil Crombie and Joe Evans, and Fatima Salaria is the Commissioning Editor for the Βι¶ΉΤΌΕΔ.
Recipes That Made Me
Βι¶ΉΤΌΕΔ Two
Recipes That Made Me is a brand new series in which cook and restaurateur Nisha Katona travels around the UK discovering the secrets of incredible home cooked curries. Born in England to Indian parents, Nisha understands the huge difference between delicious authentic dishes and the standard curries found in Indian takeaways.
Across four episodes she’ll be meeting British Asian families and cooking recipes passed down through generations from the countries of India, Pakistan, Bangladesh and Sri Lanka.
Nisha will be welcomed in to their homes, restaurants and places of worship in London, the Midlands, West Yorkshire and Manchester, where she’ll discover more about their unique cultures and family stories through food. And as they cook and eat together, Nisha will learn their top tips for creating amazing curries.
Recipes That Made Me* w/t (4x30') is a Sugar Films production for Βι¶ΉΤΌΕΔ Two. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and David Brindley, Head of Commissioning, Popular Factual and Factual Entertainment. The Executive Producer for Sugar Films is Narinder Minhas and the Series Producer is Sally Wingate. The Βι¶ΉΤΌΕΔ Commissioning Editor is Catherine Catton.
*This was announced with the working title A Taste Of Βι¶ΉΤΌΕΔ
Βι¶ΉΤΌΕΔ Two
In a specially commissioned episode for the season, Gregg Wallace explores the Nottinghamshire factory that produces 250,000 jars of curry sauce every 24 hours. He’s making a 3000 kilo batch of Tikka Masala - enough to feed 25 000 people. Along the way he deploys some unusual kitchen implements, including a decorating colour chart and a hosepipe.
Meanwhile Cherry Healey is in Guntur, the chilli capital of India, where they sell 3500 tonnes of chilli each day. She helps to harvest the chillies on a typical small scale farm, then follows them as they’re transformed into chilli powder.
And historian Ruth Goodman finds that our passion for curry is around 370 years older than the supposed invention of Tikka Masala in a Glaswegian restaurant in the 1970s. She also re-examines the early convenience products of the 1970s and talks to the British Asian housewife whose curry crusade helped to bring high street curries closer to Indian home cooking.
Inside The Factory: Curry Sauce (1x60') is a Voltage TV production for Βι¶ΉΤΌΕΔ Two. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and Tom McDonald, Head of Commissioning, Natural History and Specialist Factual. The Executive Producers for Voltage TV are Sanjay Singhal and Jon Alwen. The Βι¶ΉΤΌΕΔ Commissioning Editor is Abigail Priddle.
Gardeners’ World British Asian Special
Βι¶ΉΤΌΕΔ Two
For a one special hour this summer, the Gardeners’ World team will set out on an horticultural adventure to celebrate the South Asian influences on British gardens.
Monty Don will visit the impressive grounds of Sezincote House, a beautiful early 19th century estate built in the Mogul style of Rajasthan, complete with minarets, peacock-tail windows, jali-work railings and pavilions, and two Gardeners’ World presenters will unpick the history, garden design and planting of this stunning estate
Nick Bailey and Arit Anderson will meet British Asian award-winning garden designers Cleeve West and Manoj Malde, whose background and cultural heritage have influenced their work and our gardens.
Frances Tophill will go to Blackburn Lancashire to visit some of the allotmenteers who are growing all manner of Asian produce, from Mooli to Amaranth and Snake Gourds. She finds out what varieties of fruit and veg are popular amongst the locals and learns tips and tricks so she can grow her own.
Carol Klein will visit Kew Gardens to find out more about Indian orchids with expert, Bala Kompalli who cares for over 10,000 species of Orchid. She is currently working on a botanical survey of India
Together they’ll deliver VTs packed with practical take out and inspiring detail.
Gardeners' World (1x60') is a Βι¶ΉΤΌΕΔ Studios Unscripted Production. It was commissioned by Patrick Holland, Controller, Βι¶ΉΤΌΕΔ Two and David Brindley, Head of Commissioning, Popular Factual and Factual Entertainment. The Executive Producer for Βι¶ΉΤΌΕΔ Studios is Paolo Proto. The Βι¶ΉΤΌΕΔ Commissioning Editor is Catherine Catton.
My Asian Family - The Musical
Βι¶ΉΤΌΕΔ Four
My Asian Family - The Musical* tells the epic and inspiring story of one Asian family, the Thakrars, across three generations. Just 12 of them came to Britain in 1972 with nothing, fleeing for their lives from Ida Amin’s Uganda. Since then they’ve not just made Britain their home, they’ve prospered - finding jobs, love and a new life. Now they number ninety members across three generations.
In this film they don’t just tell us their story, they sing and dance it in a gloriously choreographed, visual feast of movement and colour. The songs are specially written, bringing their story vibrantly to life. They’ve maintained their Hindu religion and preserved cultural traditions at the same time as adapting to British ways.
The film is narrated by third generation, 16 year-old Rianna, who wonders whether it was her birth in 2002 that tipped the balance and made Leicester the first majority-Asian city in Europe.
It is a Century Films production for Βι¶ΉΤΌΕΔ One. The Director is Brian Hill (Bafta Award-winning Feltham Sings; RTS award-winning Drinking For England.) Nainita Desai (Mumbai High: The Musical) is the composer; lyrics by Shruti Chauhan (Three The Hard Way - Part 2) and choreography by Kesha Raithatha (Traces). Century Films Exec producer is Katie Baliff. It was commissioned by Charlotte Moore, Director, Βι¶ΉΤΌΕΔ Content and Tom McDonald, Head of Commissioning, Natural History and Specialist Factual. The Βι¶ΉΤΌΕΔ Commissioning Editor is Fatima Salaria.
*This was announced with a working title of 'Leicester Sings'.
The Stolen Maharajah: Britain’s Indian Royal
Βι¶ΉΤΌΕΔ Four
This documentary is about the last Maharajah of the Punjab who was wrenched from his mother's arms as a child and put into the care of an official of the British Empire. Growing up in a colonial enclave the boy king abandoned his Sikh religion and signed away his ancient kingdom. He lived most of his adult life as a supremely wealthy English country gentleman and considered himself a friend of Queen Victoria, who became his godmother. But, in time, his relationship with Britain turned sour, and he deeply regretted giving up his heritage.
The documentary retraces the journeys of Duleep Singh and his family; from the royal palaces in the Punjab to royal palaces in Britain, to an English country estate to Paris. The programme uses original material such as Singh’s letters (and letters written by those whose knew him), photographs and surviving artefacts. We interview historians to get at the motives and inner life of Duleep Singh as he set out to recover his Sikh heritage. This is a story from the age of Empire about someone whose life was defined by those historic forces.
The Stolen Maharajah: Britain’s Indian Royal is a Renegade Pictures production for Βι¶ΉΤΌΕΔ Four. It was commissioned by Cassian Harrison, Channel Editor, Βι¶ΉΤΌΕΔ Four and Tom McDonald, Head of Commissioning, Natural History and Specialist Factual. The Executive Producer is Julia Harrington, it is produced and directed by Chris Durlacher. The Βι¶ΉΤΌΕΔ Commissioning Editor is Abigail Priddle.