The world’s oldest surviving music hall provides an atmospheric backdrop for a staged performance of Peter Maxwell Davies’s Eight Songs for A Mad King. Sian Edwards conducts the Birmingham Contemporary Music Group, with Marcus Farnsworth as soloist.
The world’s oldest surviving music hall provides an atmospheric backdrop for a staged performance of Peter Maxwell Davies’s Eight Songs for A Mad King. Sian Edwards conducts the Birmingham Contemporary Music Group, with Marcus Farnsworth as soloist.
An interview with Booker Prize-winning novelist Alan Hollinghurst about his forthcoming novel, The Sparsholt Affair.
The world’s oldest surviving music hall provides an atmospheric backdrop for a staged performance of Peter Maxwell Davies’s Eight Songs for A Mad King. Sian Edwards conducts the Birmingham Contemporary Music Group, with Marcus Farnsworth as soloist.
The world’s oldest surviving music hall provides an atmospheric backdrop for a staged performance of Peter Maxwell Davies’s Eight Songs for A Mad King. Sian Edwards conducts the Birmingham Contemporary Music Group, with Marcus Farnsworth as soloist.
For their second concert, the Royal Concertgebouw Orchestra and Daniele Gatti pair two of the repertoire’s sunniest symphonies: Mahler’s song-filled Fourth and Haydn’s ebullient No. 82, nicknamed ‘The Bear’.
For their second concert, the Royal Concertgebouw Orchestra and Daniele Gatti pair two of the repertoire’s sunniest symphonies: Mahler’s song-filled Fourth and Haydn’s ebullient No. 82, nicknamed ‘The Bear’.