What do you have to take into consideration when you design a set?
We’re a one camera show as opposed to a three camera show, so we film a set from any angle. So the considerations are very much like a feature film with a false set.
You try to make it come apart as much as possible so that you can get any sort of film camera angle that you want, and also [it has to] be big enough that you can get into [it] and film and have lots of action and stuff like that.
What do you have to take into consideration when you design a set?
