en The Radio 4 Blog Feed Behind the scenes at Radio 4 and Radio 4 Extra from producers, presenters and programme makers. Tue, 22 Aug 2017 15:23:04 +0000 Zend_Feed_Writer 2 (http://framework.zend.com) /blogs/radio4 Back to School with 4Extra Tue, 22 Aug 2017 15:23:04 +0000 /blogs/radio4/entries/959aa0e7-275e-48e5-98a4-f6a22e624606 /blogs/radio4/entries/959aa0e7-275e-48e5-98a4-f6a22e624606 Peter McHugh Peter McHugh

With the summer holidays drawing to a close, 4 Extra marks the putting away of bucket and spades and the re-emergence of pencil cases, sharpeners and the sound of the school bell – with a two week season of programmes that explore that near universal of experiences: school days.

Rooting around in the Â鶹ԼÅÄ’s basement you find that school life has been a constant source of inspiration in the history of Â鶹ԼÅÄ Radio. Back to School with 4 Extra features classic comedies like a 1955 episode of Hancock’s Half Hour – in which the ‘the lad himself’ - Tony Hancock – takes a turn as teacher in a school full of ‘juvenile delinquents’. The episode - The Blackboard Jungle (starring Hancock, Kenneth Williams and Sid James) - was writers Ray Galton and Alan Simpson’s take on the controversial American movie of the same name that year. It was a pressure cooker story of inter-racial school life that featured the then incendiary song ‘Rock around the Clock’, and a breakout performance by the young Sidney Poitier. Nearly 30 years later, in 1984, award winning Caribbean-British writer Caryl Phillips penned his first radio play, The Wasted Years, exploring the pressures of identity faced by Solly, the 16 year old son of Caribbean immigrants, as he prepares to leave school for an uncertain future. Tony Armatrading stars as Solly, alongside Carmen Monroe and Rudolph Walker (EastEnders).

Alongside a five part adaption of RF Delderfield's classic school drama set between the two world wars, To Serve Them All My Days, we have BAFTA winning Sarah Lancashire returning to 1930s Yorkshire as headmistress Sarah Burton, in a radio version of Winifred Holtby’s (1898-1935) most famous novel South Riding. Published posthumously in 1936, it's a rich and memorable evocation of the characters of Yorkshire's South Riding, their lives, loves and sorrow and a fitting summation of Holtby’s life as noted feminist, pacifist, journalist and writer.

In much more boisterous mood, Helen Mirren, Joanna Lumley and Lisa Dillon star in three classic ‘jolly hockey-sticks’ tales, from writers Angela Brazil and Enid Blyton, Good Show Clarissa. While from 1957, John Gielgud stars in The Browning Version, striking a reflective mood in his first performance in a play by Terrence Rattigan. Playing a schoolmaster, it’s a story of personal betrayal, education and regret.

Beyond fictional school walls we get to explore the real school reports of Dame Edna Everage, Wendy Cope, Alan Coren, Terence Stamp, Stephen Fry and Kenneth Williams, as Robert Booth asks what they would have done differently in school in the series Could Do Better. Celebrated Crime writer Val McDermid reveals her passion for South Shields novelist, Elinor Brent-Dye’s boarding school novels in The Chalet School. Though often overlooked today, these novels inspired her to go to university and eventually to become a writer herself.

Always with the ability to surprise, the Â鶹ԼÅÄ radio archive often gives us the chance to open up an audio time capsule….in this case from a bygone age of education: “One day last autumn [1947] a Â鶹ԼÅÄ van arrived at the tiny village school of Bolventor, in the middle of Bodmin Moor….engineers proceeded to hang up microphones in front of the various desks and out in the porch….the microphones and cables were left until the children had become accustomed to their presence and took no notice of them….” So explained the Radio Times in 1948, introducing an experimental programme decades before the vagaries of ‘reality TV’. The School on the Moor is a remarkable audio document: presented by the headmaster himself, this small school and former pupils magically tell their own story in 1947.

And, not heard since 1962, a truly disturbing school drama - from a Â鶹ԼÅÄ master of radio drama writing and production, Giles Cooper – admits us to a classroom where a new teacher has the distinct impression that his class has had something to do with the unfortunate demise of his predecessor in: Unman, Wittering and Zigo.

As we all know, school holidays are but a short lived dream….unlike the famous rock song….schools are never out forever…..

Programmes featured include
 (Sat 26 Aug, 4.00pm–5.20pm) 

 (Sun 27 Aug, 10.15 – 11.00am)
(Sun 27 Aug, 4.00pm–5.00pm)
(Sun 27 Aug, 8.00pm – 8.30pm)
 (Sun 27 Aug, 8.30pm – 10.00pm)

 (Mon 28 Aug – Wed 30 Aug, 2.45pm -3.00pm)
 (Mon 28 Aug – Fri 1 Sep, 11.15am–12.00pm)

 (Mon 28 Aug – Fri 1 Sep, 2.15pm -2.30pm)
 (Mon 28 Aug – Fri 1 Sep, 2.30pm -2.45pm)

 (Tue 29 Aug, 7.00am -7.30am) 
(Wed 30 Aug, 6.30pm – 7.00pm)
Comedy Club: The Museum of Everything  (Thu 31 Aug, 10.30pm– 11.00pm)

The Chalet School  (Fri 1 Sep, 13.30am – 2.00pm)

Hancock’s Half Hour – The Blackboard Jungle - (Sat 2 Sep, 12.00am-12.30am)

The Burkiss Way (Sat 2 Sep, 12.30am-1.00pm)

Could Do Better  (Mon 4 Sep, 2.15pm – 2.30pm)

South Riding 6-10/15 (Mon 4 Sep – Fri 8 Sep, 2.30am – 2.45am)

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Big Ben bongs Mon, 14 Aug 2017 09:14:09 +0000 /blogs/radio4/entries/644509f6-e682-4d59-ba55-ccc39fd1228c /blogs/radio4/entries/644509f6-e682-4d59-ba55-ccc39fd1228c Denis Nowlan Denis Nowlan

Big Ben is iconic - it was first heard ringing out over London almost 160 years ago and is now the world’s most famous and immediately recognisable bell. It’s a sound that resonates not just in our ears but in our imagination, too. It also plays a crucial role here at Â鶹ԼÅÄ Radio 4, heralding the start of the 6pm and midnight news, as well as Westminster Hour on Sundays at 10pm. So, it may come as no surprise there has been much discussion about what to do when Big Ben falls silent from Monday 21 August, while the clock tower undergoes refurbishment.

After much consideration of alternatives, including using the pips or playing chimes from elsewhere, we decided to use a pre-recording of the Big Ben bongs for as long as the clock is out of action.

A number of factors were at play, including uncertainty over how long Big Ben will be silent, and a host of technical and practical considerations. A live broadcast of a bell might appear a very simple matter, but here are a number of things we needed to consider. The chimes must of course be live on air at exactly the right moment and they must chime at the key times for our schedule. And the sound must be clear and undistorted, without background noises creeping in. What may be less obvious is that, as the chimes signal the start of the news, we need to be sure the aural pitch is also appropriate.

Given all these factors, we decided that pre-recording the bongs offers the most reliable option, while allowing us to retain the commanding sound of Big Ben as part our schedule, as well as our listener’s daily lives. Once the clock is back in normal service we will resume the live broadcast in keeping with long tradition. It’s a sound which has been heard on the Â鶹ԼÅÄ for over 90 years and one we hope to hear on Radio 4 for many, many more.

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Jane Austen 200 Mon, 03 Jul 2017 12:17:34 +0000 /blogs/radio4/entries/2398b3de-dbc5-4cd8-8e3a-3080ecad29e5 /blogs/radio4/entries/2398b3de-dbc5-4cd8-8e3a-3080ecad29e5 Radio 4 Extra Radio 4 Extra

Â鶹ԼÅÄ Radio 4 Extra marks the 200th anniversary of the death (18 July 1817) of one of the most celebrated writers of all time, Jane Austen - with a selection of radio dramas and an entertaining feature.

Thanks to her witty character portrayals and depictions of 19th century English society, Austen’s work has stood the test of time with legions of fans worldwide.

Amanda Root

Amanda Root stars as young Fanny Price in (from 12 July). Austen’s unlikely heroine is plucked from her impoverished family and brought up by wealthy relatives, but the hopes of this poor relation are soon dashed. Yet as she grows up, Fanny proves to be an indispensable member of the household. This three-part 1987 dramatisation co-stars Michael Williams and Robert Glenister as Fanny’s cousins with Hannah Gordon as Jane Austen.

(from 17 July) is Austen's tale about two sisters who learn that sense must mix with sensibility if they’re to find happiness in a society where money governs love.

Forced to leave their beloved family home, after the death of their father, Elinor and Marianne aim to make a new life at Barton Cottage. While Marianne unexpectedly meets the dashing Willoughby who sweeps her off her feet, Elinor has a surprise visit from Edward. But with neither fortune nor connections, the prospect of marrying the men they love appears remote. This 2-part 2013 dramatisation stars Amanda Hale as Elinor and Olivia Hallinan as Marianne.

Ever wondered what your favourite literary characters would do if they were around today? In (from 17 July) City boy James takes inspiration from his girlfriend's beloved Austen in plotting how to win her back. He’s determined to grab her attention with an offer he hopes she can't refuse. Charlotte Jones' 5-part modern take on Austen's classic love story stars Kobna Holdbrook Smith as a modern day Mr Darcy.

In (18 July) David Owen Norris offers a rare insight into the family life of Jane Austen through her favourite songs. With singer, Gwyneth Herbert.

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Islands on 4 Extra Fri, 23 Jun 2017 09:33:38 +0000 /blogs/radio4/entries/3a96d3a3-075a-4811-a0ef-436d38ae3d27 /blogs/radio4/entries/3a96d3a3-075a-4811-a0ef-436d38ae3d27

Â鶹ԼÅÄ Radio 4 Extra showcases the enduring fascination of islands. In a two-week season we're roaming the globe, crossing centuries and investigating the real and the invented as we consider the special place of islands in our imaginations.

From idyll to prison, birthplace to workplace, refuge to colony, through corncrakes, campsites, witchcraft and ukuleles, Radio 4 Extra presents the mystery and magic of the island.

Drama highlights include RL Stevenson’s classic adventure (Sat, July 1st), starring Peter Jeffrey and Hugh Paddick, while Michael Denison and Moira Lister star in Noel Coward’s witty satire (Sat, June 24th).

In (Thur, June 29th), Anton Lesser encounters sorcery on a magic island in Brazil. Troubled lovers gaze from the Pembrokeshire coast to (Wed, June 28th), while identical twins on a remote Scottish island confront a secret in (Fri, July 7th).

Adjoa Andoh reads Jean Rhys’s award-winning novel (starts Mon, July 3rd), inspired by Charlotte Bronte’s Jane Eyre. We move from Jamaica to Orkney for a selection of (starts Mon, June 26th).


Among our feature highlights, Gwyneth Lewis looks at the idea of the island in (Sat, June 24th) and later takes (starts Mon, July 3rd).

Other documentaries travel from (Mon, June 26th) to (Fri, June 30th).

Kenneth Steven presents (Thur, July 6th), we visit Sheppey in (Wed, June 28th) and investigate the threat to the Carteret Islands in (Tues, July 4th). Our second Archive On 4 documentary, (Sat, July 1st), hears the testimony of immigrants at Ellis Island, New York.

A Desert Island Discs mini-season celebrates writers and performers born on islands around Great Britain, with guests (Sun, June 25th), (Sun, July 2nd), (Sun, July 9th) and Roy Dotrice (Sun, July 16th). And there’s a comic slant on the desert island in dramas (Wed, July 5th) and (Tues, June 27th).

Poetry Extra ranges from volcanic Iceland ( – Sun, July 2nd) to the Hebrides ( - Sun, July 9th) and war-torn Sri Lanka ( – Sun, June 25th).

Kerry Shale reads (starts Mon, June 26th) and comedies take us from the Northumberland coast ( – starts Mon, July 3rd) to the Isles of Scilly ( - starts Mon, June 26th) and the sub-Antarctic ( – starts Tues, June 26th), while Tina C undertakes her (starts Tues, June 26th).

 

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A Family Gathering on 4 Extra Wed, 10 May 2017 16:37:06 +0000 /blogs/radio4/entries/e09aa63f-4f18-4930-8e59-5287eb6c4246 /blogs/radio4/entries/e09aa63f-4f18-4930-8e59-5287eb6c4246 Radio 4 Extra Radio 4 Extra

The 1960s domestic sitcom 'Life with the Lyons' features in 4 Extra's family season.

Family… Whether you have heaps of squealing children, an arms-length relationship with an ex-partner, siblings, step-parents, grandparents or a huge tabby cat; families come in all shapes and sizes.

Radio 4 Extra invites you to celebrate the ‘Family’ in all its different guises showcasing famous radio comedy and iconic drama from the Â鶹ԼÅÄ archives including including TS Eliot’s drama Family Reunion not broadcast since original TX in 1965.

Here’s the family related delights that Radio 4 Extra has lined up for you:

Noel Coward’s inter-war play starring John Moffatt. The story of the working class Gibbons family coping with life between the wars and stars Rosemary Leach. This Happy Breed was also produced as a highly successful film in 1944 by David Lean. 

A family drama cataloguing the lives and loves across three generations in the . Elizabeth Jane Howard’s family saga brought her success in her 70s. She was a writer who transferred and recycled the mistakes in her own family life into brilliant novels.

Comedian Shappi Khorsandi presents to talk about the influence of her family and introduce a selection of family comedy. 

Jeremy Hardy faces up to fatherhood and gives tips on .

Shappi sees the funny side of being divorced and a single mother and discusses this with Jerry Hall in .

Dominic Holland discusses the journey of life and points out the pitfalls of growing up, becoming an adult and having children in .

Mark Steel proposes a radical idea to improve our lives in : No One Should Live in the Same Family for More than One Year…

Stephen K Amos shares his teenage years in 1980s South London in Jonathan Harvey’s comedy,

In , Isy returns to Derbyshire the home of her teenage years as she ambles through the archives to celebrate family life in a three hour showcase.

We hear from the classic comedy families across the decades starting with 50s & 60s families in  and . The latter features the real American Lyon family in 60s London, starring Bebe Daniels and her husband Ben Lyon. For the first time since its original transmission, the silent film actress chooses her castaway choices in . Bebe visited Britain for 3 weeks with her family in 1936. They loved it so much she was still here 20 years later.

From the 1960s, we bring you , the family sitcom adapted from television with Wendy Craig and Frances Matthews. Jennifer nags stubborn Henry due in court over a treehouse. 

From the 1970s comes the iconic comedy adapted from television with Wilfred Brambell and Harry H Corbett. Harold falls for his drama society’s leading lady. 

Simon Brett’s is a comedy drama from the 1980s featuring a widow, her mother and daughter, starring Prunella Scales and Joan Sanderson. 

From the 1990s, the Conroy family are braced for school reports – and a loan in Stockport: . Starring Dominic Monaghan (The Lord of the Rings) and Beverley Callard (Coronation Street). 

And from the 2010s, Simon Greenall and Kay Stonham star in Robin and Wendy’s . Away from their model village, the duo tackle a civil war recreation.

There are elements of family tragedy that we all recognise in Anne Tyler’s , a portrait of a fractured Baltimore family, with details that ring sharply true and characters that are both truthful and entertaining. Starring Barbara Barnes as Pearl and Nathan Osgood as Beck. The narrator is Lorelei King.

After 20 years away from poetry, during which he co-wrote The Royle Family and produced Gavin & Stacey, amongst others, Henry Normal returned to Radio 4 in 2016 for a comic and poetic look at his family life. Recorded in front of an audience in Brighton, is centred around Henry’s son, Johnny, who was diagnosed with “mildly severe” autism. Through stand-up and poetry, Henry explores what this means for Johnny, for himself, and for his wife, Angela. 

And finally, TS Eliot’s drama echoes Eliot’s own first failed marriage and looks at the family dynamics at a birthday gathering - always an opportunity for high tension. 

Whilst in the beginning radio gathered the family together, whatever your family make-up today, radio can also be enjoyed in perfect solitude.

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Gay Britannia on 4 Extra Tue, 25 Apr 2017 14:09:19 +0000 /blogs/radio4/entries/ba4cec44-a620-4e37-b6e7-b93bbad65c54 /blogs/radio4/entries/ba4cec44-a620-4e37-b6e7-b93bbad65c54 Radio 4 Extra Radio 4 Extra

Radio 4 Extra joins in the Â鶹ԼÅÄ’s Gay Britannia season marking the 50th anniversary of The Sexual Offences Act 1967 – which partially decriminalised homosexual acts in private between two men over 21 in England and Wales. Join Â鶹ԼÅÄ journalist Ben Hunte as he curates our season and interviews some of his LGBT heroes... 

Â鶹ԼÅÄ Radio 2’s Paul O’Grady talks the secret gay slang of Polari ahead of (29 July) plus that bold edition of featuring Bona Law (30 July).

(29 July) discussing the Â鶹ԼÅÄ broadcaster’s gender reassignment – and talks to lesbian publisher, Linda Riley – ahead of the first of two episodes of EM Forster’s tale of early 20th-century gay love,  (30 July).

HIV activist Greg Owen chats to Ben – ahead of Andy Kirby’s two-part 1980s drama about a hospital’s first ever AIDS patient, starring Michael Cashman:  (31 July).

Inspirational gay journalist Dean Eastmond tells Ben about his brave battle with cancer – ahead of Armistead Maupin’s acclaimed tale of the denizens of the mythic apartment house at 28 Barbary Lane, San Francisco – set in the free and easy era of 1976:  (31 July).

The Comedy Club welcomes Stephen K Amos telling Ben about the perils of coming out – ahead of the edition of   where he tries to tell his family... (2 Aug) plus more chat with (3 Aug).

Get the confetti ready – as Ben meets Â鶹ԼÅÄ Three’s “Queer Britain” host Riyadh Khalaf – ahead of Ian and Adam’s 2006 Ambridge civil partnership in  (4 Aug).

Week 2 of Gay Britannia kicks off with Ben’s chat with Stonewall’s CEO, Ruth Hunt – ahead of Patrice Chaplin’s Edwardian drama charting Meriel’s growing obsession with a local girl – chosen by a 4 Extra listener and starring Deborah Makepeace: (5 Aug).

Ben talks to Paul O’Grady about the impact of his alter ego (5 Aug) – and later PinkNews chief, Benjamin Cohen – ahead of the comedy featuring the only gay in the village:  (5 Aug) starring Matt Lucas and David Walliams.

Ben meets LGBT YouTuber, Calum McSwiggan – ahead of Nicholas McInerny's autobiographical tale of a husband coming out as gay after 19 years. Julia Ford and Greg Wise star in (7 Aug).

Peter Tatchell chats to Ben about his role in gay activism – ahead of Phil Willmot’s drama about a 17-year-old and the lead-up to the 1994 age of consent protest by gay action group, Outrage, starring David Curtiz,  (9 Aug).

And don’t miss the Comedy Club when Gina Yashere tells Ben about life as a lesbian comic – ahead of our special compilation of the best out and proud Â鶹ԼÅÄ Radio comedy from the past five years, (10 Aug).

You can find features and details of all the Gay Britannia programmes across Â鶹ԼÅÄ Radio networks, with links to TV programmes, .  

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Honoured Actors – Dames & Knights Wed, 05 Apr 2017 16:00:33 +0000 /blogs/radio4/entries/167a1db9-7e17-47a2-a54c-77fe04d4f14d /blogs/radio4/entries/167a1db9-7e17-47a2-a54c-77fe04d4f14d Radio 4 Extra Radio 4 Extra

Â鶹ԼÅÄ Radio 4 Extra raises the curtain on a season showcasing our honoured actors – those distinguished artists recognised as dames and knights.

Over three weeks, we’ll be celebrating a selection of these performers with a variety of programmes (many of them new to our network) including drama, documentary, interview and talk.

Our glittering cast list ranges from the first actor to be knighted (Henry Irving, played by Daniel Massey in - Apr 12th, 11.15am) to the two stars acknowledged in the most recent Honours list: Patricia Routledge ( - Apr 13th, 11.15am) and Mark Rylance ( – Apr 27th, 6.30am).

Our season begins in the weekend of the annual Olivier Awards and we’ll be marking the work of the first knighted actor to be ennobled: Lord Olivier is remembered in (with Sir Michael Gambon, Sir Derek Jacobi, Dame Maggie Smith and Dame Joan Plowright - Apr 8th, 8am) and Philip Ziegler’s biography (read by Toby Jones - Apr 10th, 2.45pm). You’ll be able to hear the great actor himself in (Apr 9th, 4.20pm).

Other highlights in the first week include (Apr 8th, 6am) starring Dame Judi Dench and Sir Michael Hordern and (Apr 9th, 4pm) with Sir Ian McKellen.

Beginning the same week, Sir John Gielgud shares an extraordinary range of reminiscence about his life in the theatre in (starts Apr 10th, 6.30am).

appears on Desert Island Discs(Apr 9th, 10.15am) and subsequent castaways include (Apr 16th, 10.15am), (Apr 23rd, 10.15am), (Apr 30th, 10.15am) and Dame Penelope Wilton (May 7th, 10.15am).

In our second week, Sir Anthony Hopkins stars in Howard Brenton and David Hare’s (Apr 16th, 8pm) and Dame Kristin Scott Thomas takes the lead role in Sophocles’ (Apr 15th, 6am).

Sir Alec Guinness reads Lewis Carroll’s (Apr 15th, 12pm) and is featured in the Archive On 4 documentary (Apr 15th, 8am), while legendary actor-manager Sir Donald Wolfit reads a selection from Jonathan Swift’s (Apr 16th, 7.15am).

Sir Michael Gambon stars in (Apr 21st, 10am). Dames Peggy Ashcroft and Judi Dench read the paired monologues (Apr 19th, 10am) and two knights combine as Nigel Hawthorne reads (Apr 17th, 2.45pm).

In our last week, we delve deep into the Â鶹ԼÅÄ Service archive for two 1940s pieces featuring Dame Edith Evans: (Apr 25th, 6.30am) and (Apr 25th, 6.50am), an extract from As You Like It, co-starring Sir Michael Redgrave.

We’ve rummaged in the World Service archive as well, bringing you (Apr 27th 10am) in which Dame Dorothy Tutin’s co-star is Stanley Baxter, playing the real-life role of Sir Noel Coward.

Sir Robert Stephens stars in (Apr 22nd, 6am) and Sir Daniel Day-Lewis appears in (Apr 24th, 11.15). (Apr 26th, 11.15) features Sir Antony Sher, Sir Ben Kingsley heads the cast in (Apr 28th, 10am) and Dame Flora Robson is (Apr 22nd, 2.15pm).

You might even find yourself recognising some potential dames and knights among our casts – Frances Barber? Simon Russell Beale? Miriam Margolyes? Michael Sheen?

Settle back as the lights dim and the curtain rises on our season of honoured – and marvellous – actors.

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Book Club: The Travelling Hornplayer Fri, 03 Feb 2017 14:27:59 +0000 /blogs/radio4/entries/e5060a1c-4c07-403d-9d70-04887ba792c4 /blogs/radio4/entries/e5060a1c-4c07-403d-9d70-04887ba792c4 Jim Naughtie Jim Naughtie

We heard a ghost story from our author on this month’s Bookclub. Barbara Trapido was talking about her novel The Travelling Hornplayer, which begins with the following sentence: ‘Early on the morning of my interview, I woke up and saw my dead sister.’ Not a bad opening line for a story about two interlocking dysfunctional families, but in the course of the discussion with our readers, Barbara revealed an unusual experience of her own.

She was at a literary event in Manchester when something mysterious happened in her hotel. ‘I woke up in the morning and a young girl passed through the room. It wasn’t at all scary, and I knew straight away that this wasn’t a person of flesh and blood. She touched my bedclothes, crossed the room and seemed to disappear through the window.’ Getting up, Barbara checked behind the curtains, found nothing, and went to reception to ask if anything had ever been known to happen in Room 102. Naturally, I asked if she thought she had been dreaming. The reply was emphatic – no. Although a moment or two later, she acknowledged that she couldn’t be entirely sure. The girl – ‘a demure school girl’ dressed in white vest and knickers – seemed perfectly real. And, of course, she became the dead sister – Lydia – in the novel.

However sceptical we may be about such experiences, it was one that fitted Barbara’s approach to writing as she described it to us. ‘I never plan, plot or structure anything – I stare in the dark and wait for it to emerge.’ But, of course, it’s not as simple as that. She got the idea for The Travelling Hornplayer at a Schubert recital in Oxford – it was just after the death of her mother – and found herself studying the text of the songs more closely than before. ‘I began to think can you take these quite trashy poems and transform them - the way Schubert takes them and transforms them into something deep and resonant. And that seemed to me interesting and also because I’d experienced this bereavement - the story had got to be gloomy, the whole notion of love and death, and I thought Oh my God one of these lovely little girls is going to have to die - namely the two little girls, Ellen and Lydia, the sisters, and that was the premise with which I began.’

That intuitive approach to writing evidently springs from her personality – she rather endearingly described herself as ‘batty’ in the course of our conversation – and her feeling for some of the agonies of family life is clearly rooted in her own background – she arrived in this country from South Africa in the 1960s. Her parents had emigrated there from Berlin and Amsterdam in the 30s.

‘I’d always been an outsider. I had funny foreign parents where I grew up, where being English was the thing to be, and after a while you make a virtue of being odd and I think I’m aware politically, aware of social class, for example.’ It was from her parents that she got a love of music – they would play Schubert at home – and so in this book, the lives of the characters unfold to the rhythm of one of his song cycles, with the words introducing each chapter. For all Barbara’s commitment to stories that seem to invent themselves, and her use of coincidence as a recurring plot device, there’s a deep pattern to the novel. It’s no accident that each chapter ends with the words ‘again and again.’

Maybe these characters have no choice but to live the lives she’s made for them: life is a story of repeating cycles.

I hope you enjoy hearing Barbara Trapido.

Happy Reading

Jim

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Book Club: Capital Tue, 03 Jan 2017 12:03:19 +0000 /blogs/radio4/entries/e3425702-ae3b-402b-9e7a-756452faa070 /blogs/radio4/entries/e3425702-ae3b-402b-9e7a-756452faa070 Jim Naughtie Jim Naughtie

Happy New Year! Listening to John Lanchester talking about his novel Capital - the programme is repeated on Thursday afternoon as usual - I was reminded of the force of a question he raised during our discussion with readers. How many of us live in a street where there is still someone around who was born there? It used to be common in London, even a single generation ago I’d guess, but changes in the capital have made that kind of community a rarity, and a thing of the past. In John’s account of life in one fictional London street - Pepys Road - just before the financial crash of 2007-8, there’s one resident (Petunia) who can say that she’s never lived anywhere else. It means that she catches something of the spirit of the whole story, which is partly about the growing sense of unease that precedes the coming storm, and partly about the sudden, even brutal, changes in lifestyle that Londoners have come to know.

As John put it to our readers, ‘She’s the daughter of a solicitor’s clerk and she’s the last contact with when it would have been a very different demographic, and a much more homogenous community. It’s part of the hollowing out of London where there are people who don’t feel rich but are rich by global standards, and the poor who serve them, and service them, and by and large they are almost in different cities. There’s a class of employers and the people who serve them and no one in the middle and it’s reflected in the 2011 census that the white British are now a minority in London. And as I was writing the book, I thought yes, I’m on to that.’

So it’s a novel that, through the prism of Pepys Road, looks at a city that was shaken by sudden demographic and financial changes that were beginning to affect everyone, even before the crash itself. As we discussed in the programme, there was a feeling of the kind that animals have when they sense a storm in the making...an edginess that John himself remembers very clearly (and perhaps alarmingly says he can feel once more, right now). It means that the character of Roger, the investment banker in the story, is inevitably a fulcrum for the novel.

The point about Roger, however, is that although he is a representative of trouble - inflated salaries, house price inflation at a daft pace, a financial system wobbling towards disaster - he isn’t a bad man. The less said about his wife, Arabella, the better. But Roger evoked the sympathy of our readers, as he does of the author. Roger has simply taken on the coloration of the world, as John put it to us, and absorbed contemporary values. It’s what so many people do, wherever they sit in society.

The cleverness of Capital is surely that it’s a moral fable without ever seeming to be preachy. It’s funny, quick and vivid, painting a picture that’s always throwing up a character or a problem that’s intriguing. You never feel you’re being told what to think. If you were, I think it would have been a flop. But instead it has been immensely successful, a story of our time that, as this month’s group of readers demonstrated, that has the capacity to make us think about ourselves. I do hope you have enjoyed hearing John talk about it if you were listening on Sunday or that you’ll enjoy the repeat on Thursday.

Next month’s author is the best-selling Barbara Trapido, and we’ll be talking about The Travelling Horn Player.

Happy reading!

Jim.

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A Fabulous Festive Feast from 4 Extra Tue, 20 Dec 2016 16:20:09 +0000 /blogs/radio4/entries/872a9c8a-278e-43fa-af14-ab38f1bad41e /blogs/radio4/entries/872a9c8a-278e-43fa-af14-ab38f1bad41e Peter Reed Peter Reed

Whether you fancy some Ho! Ho! Ho! or a merry melodrama or two, Â鶹ԼÅÄ Radio 4 Extra has got it all for you this season:


Sue Townsend’s festive tale sees Adrian Mole in charge of Christmas dinner.   Thursday 22nd December at 2pm 


Hercule Poirot investigates in Agatha Christie’s festive whodunit. Friday 23rd December at 11.15am 


A recreation of the momentous 1606 opening night of Shakespeare’s play. Christmas Eve at 4pm 


3 hours of purr-fect archive from Ed and his co-host cat – featuring Sian Phillips, Dawn French, Beryl Reid and a vintage “Ed Reardon's Week”. Christmas Eve at 9.00am 


An hour of rare clips of the much-missed entertainer’s appearances on Â鶹ԼÅÄ radio – hosted by her Dinnerladies TV co-star, Maxine Peake. Christmas Eve at Noon 


Benedict Cumberbatch and co prepare for take-off! Christmas Day in the Comedy Club at 11.00pm 


Satan’s suffering Christmas confusion thanks to Andy Hamilton. Christmas Day in the Comedy Club at 11.30pm 


A frisson of festive fear with Robin Ince, including a treat from 1963 Christmas Meeting starring Dame Flora Robson.  Christmas Eve and Christmas Day at 6.00pm 


Christmas has crept up on Arthur, so everything is all last minute! Christmas Day at 5.30pm 


Wouldn’t be Christmas without them! Christmas Day at 12.30pm 


Alexei Sayle listens into the Fab Four’s festive fan club recordings. Boxing Day at 1.30p


Discover why pantos still pack the crowds in for Christmas. Tuesday 27th December at 1.30pm 

Happy Christmas to you all from Radio 4 Extra!

Listen to a preview clip of Ed Reardon and moggie Elgar's Christmas Eve Meow Show on 4Extra

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Book Club: Bright Lights, Big City Fri, 02 Dec 2016 16:52:21 +0000 /blogs/radio4/entries/d4d5c314-c49c-4ade-95d0-cf192219e1a3 /blogs/radio4/entries/d4d5c314-c49c-4ade-95d0-cf192219e1a3 Jim Naughtie Jim Naughtie

Jay McInerney’s book about a week of hedonism in New York in the early eighties is like a garish postcard from a vanished world. Bright Lights, Big City made the career of a writer who was then in his mid-twenties because, as he told this month’s group of Bookclub readers, it caught the city at a moment of social and cultural drama. It had virtually gone bankrupt, there was a heroin epidemic as obvious to everyone in Manhattan as violence on the streets, and the middle classes were indulging in cocaine without a thought about addiction. There was madness in the air. The AIDS crisis was just around the corner, and a certain wildness ruled.

The novel is the account of a week in the life of a nameless young man – he’s referred to throughout in the second person, simply as ‘You’ – who isn’t McInerney’s double but who lives some of the life that the writer knew, when he was often in what is often euphemistically referred to as ‘an altered state of mind’, thanks to drink – or more usually – drugs. And looking back on the book, more than thirty years on, McInerney talked interestingly about his ambiguous relationship with the city.

It was true, he said, that you’re now much less likely to have your apartment burgled by an addict or to be mugged on the streets than in the old days, or to hear ‘crack vials cracking underfoot’ but he’s certain that something has been lost. For him, the city seems less diverse, and despite the no-go zones of the past there was something attractive about its edges – when there were ‘islands of civilisation’ where people still lived in property with cheap rents – that represent, for him, something lost. He told us, ‘I’ve never fallen out of love with New York City and as much as this is a terrible week portrayed in Bright Lights, Big City, I think it’s also infused with a love of Manhattan. ‘

This may be why the book still has power. Many of our readers had read when it first appeared, appreciating the account of one lost week in the life of a young man who had many lost weeks – and celebrated them, whatever the physical and emotional cost. The city that never sleeps has a strong pull on so many people, whether they’ve read Damon Runyon or not, that owes a lot to the strong undercurrent of over-indulgence, chicanery and even violence that seems to flow across town even now. There was bohemia in Greenwich Village, absurd excesses of wealth on the Upper East Side and along Park Avenue but somehow it mixed a cocktail that was always worth a sip. You’d never forget it.

One reader said it had shaped all her imagination about New York when she first read it. She’d never been there, but it came to life. For myself, having first set foot there as a young student in 1970, I understand exactly what that means. The pace, the smells, the noise and the voices seem impossible to imagine in that particular combination, anywhere else. When you come across the 59th St Bridge from the airport into the ferment of Manhattan for the first time you’re likely to be smitten. If you don’t like it; stay away. If not, you’re probably at the start of a hectic love affair.

McInerney’s book is about a place that for ‘You’ seemed to have no rules, and maybe promised destruction in the end. But it was still intoxicating. That’s why so many people read Bright Lights, Big City and still do.

I hope you enjoy hearing him.

Happy reading

Jim

 

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Marking the 90th Radio 4 Christmas Appeal with St Martin in-the-Fields Tue, 29 Nov 2016 16:08:21 +0000 /blogs/radio4/entries/b5067849-b1f4-4ca0-aab6-534009b87b30 /blogs/radio4/entries/b5067849-b1f4-4ca0-aab6-534009b87b30 Kate Howells Kate Howells

The 90th Radio 4 Christmas Appeal with St Martin in-the-Fields launched on Sunday 4 December. To find out more and donate visit the  or call 0800 082 82 84. Thank you for all your support over the years.  

St Martin-in-the-Fields, a landmark church in the heart of London. Picture: Craig Barker

The neoclassical Church of at the corner of Trafalgar Square has a long history as a place of refuge. During the First World War the charismatic and maverick vicar, , threw open the doors to soldiers departing for the front from Charing Cross Station nearby.  

"He created the tradition of the church of the ever-open door" says the , the current vicar of St Martin’s "and from that time forward people have come to St Martin’s with the expectation that even if they are desperate and destitute there’s a place here for them."

After the war Dick Sheppard’s appeals from the pulpit to his congregation to donate to those less fortunate became formalised  and appeared in the .

So this year marks the 90th .

The money raised by donations to the appeal is shared between , the night shelter and day centre next to the church in Trafalgar Square, and the which gives crisis grants to applicants around the country who are homeless or who are in danger of losing their homes.

 

Tony from Wrexham who was helped by the Vicar's Relief Fund

Tony is a painter and decorator from Wrexham who now has somewhere safe to live for the first time in 5 years, thanks to a grant for £340 from the which paid for a month’s rent in advance to secure his tenancy. Even though he thinks he could do a better job on the decoration, he is very relieved to have found a home:

"I couldn’t believe it. I was in a dream. I had to keep pinching myself! To be back in a house, not have the elements on you, to actually be able to sit down and have a cup of tea, it was just brilliant."

Government figures show that .

Of the continuing Sam Wells says "This year is the 90th year. That’s an incredible record of partnership. It’s a story of wisdom and experience and friendship over 90 years. There’s a sad part of that, because it suggests that unfortunately homelessness is a problem that’s not going to go away. What I’m celebrating after 90 years is a gathering together of people who – together - have had an amazing record of making a real difference."

The 90th Radio 4 Christmas Appeal with St Martin in-the-Fields starts on Sunday 4 December. For more information or to make a donation visit the .

 

  •  to the Radio 4 Christmas Appeal

  • To donate by phone call 0800 082 82 84

  • Find out more about

  • Find out more about the

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Bollywood: Music, Mystery and Magic on Â鶹ԼÅÄ Radio 4 Extra Thu, 10 Nov 2016 09:46:13 +0000 /blogs/radio4/entries/e863e8d0-c7ef-47f4-931e-cd0b7243d0a0 /blogs/radio4/entries/e863e8d0-c7ef-47f4-931e-cd0b7243d0a0 Radio 4 Extra Radio 4 Extra

Bollywood, India’s popular cinema industry, produces thousands of films that are enjoyed around the world. As the nights draw in and the mercury falls, Â鶹ԼÅÄ Radio 4 Extra presents a selection of Bollywood-themed features and dramas filled with warmth, light, music and song. The programmes are introduced by Bobby Friction, Bollywood aficionado and presenter of the eponymous weeknight music programme on Â鶹ԼÅÄ Asian Network.

Sanjeev Bhaskar delves into Bollywood’s early history with Lights, Camera, Akshun! (2013), exploring how three of the industry’s key players started out in London. Niranjan Pal wrote a West End play before co-directing The Light of Asia (1925) with Himanshu Rai, who went on to found the production company Bombay Talkies with actress Devika Rani. In Nightingales of India (2013), Yasmin Alibhai Brown looks back at the careers of Lata Mangeshkar and Asha Bhosle, the sisters who’ve sung the songs in thousands of Bollywood movies for the past 70 years.

Bollywood Jane (2008) is a drama series that shows how Bollywood crosses cultures. Jane, a teenager from a tough background, discovers Bollywood through her friend Dini. The films’ themes of hope and love sustain her as she makes the difficult adjustment to working life in a new city. And we have two detective dramas from 2007: Feluda - The Golden Fortress and Feluda - The Mystery of the Elephant God, written by renowned Bengali director Satyajit Ray, best known for his Apu film trilogy. The adaptor, Ray Grewal, has described the detective Feluda as a mixture of Sherlock Holmes, Tintin and Indiana Jones. Prominent Bollywood actors take the lead roles in this drama, including Rahul Bose as Feluda, and Anupam Kher as his friend Lalmohan Ganguly.

Written by Alison Frank

 

Programmes in the series

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#LovetoRead Mon, 07 Nov 2016 16:10:19 +0000 /blogs/radio4/entries/34b531a0-20b9-49df-85b1-664b24606af7 /blogs/radio4/entries/34b531a0-20b9-49df-85b1-664b24606af7 Jim Naughtie Jim Naughtie

Sometimes we’re allowed to indulge ourselves, and as part of the Â鶹ԼÅÄ’s #LovetoRead season I had the chance to choose a book that meant a lot to me as a young reader. It was easy to decide on something by Robert Louis Stevenson. But which one? In the end, it was Kidnapped, although of course it was hard to put aside Treasure Island. To add to my happiness we managed to record Bookclub in the Hawes Inn at South Queensferry, just under the girders of the Forth Bridge, which is the very place where Stevenson is said to be started to write the story (in Room 13) and the inn from which the young David Balfour is snatched on the order of his bad uncle Ebenezer, and taken on board a ship bound for the Carolinas. Of course, it is the start of a wild adventure that begins after a shipwreck off the isle of Mull and takes David and his new friend – the Jacobite renegade Alan Breck Stewart – on a perilous journey across Scotland and finally home to Edinburgh, where he claims his rightful inheritance.

It’s a story of adventure, friendship and war. Scotland is divided after the 1745 rising – between Highlands and Lowlands, across the religious schism – and young David is blooded in a country where loyalties are preserved at a price. The red-coated soldiers of the King are ready to deal with any evidence of rebellion, and David and Alan are running for their lives. We had the novelist Louise Welsh as a guide – she’s a huge Stevenson admirer – and we spoke about the subtlety of the story-telling, the wonderful evocation of youthful innocence, the picture of a dark and divided country. Our Bookclub audience was powerfully engaged in the book – we had a couple who live in one of Stevenson’s old homes in Edinburgh – and there was a wonderful series of reminiscences about the way the book had excited them at a young age.

And a number of them spoke about how intriguing it was to come back to the book in later life and to find how dark a story it was: the evocation of a difficult but passionate friendship between two people who were on different sides of a cultural and political divide, Balfour from a Lowland, Presbyterian background whose family would always support King George, Stewart a Highland Jacobite still loyal to Bonnie Prince Charlie back in France and the idea of the restoration of a Catholic monarchy.

Above all we spoke about how Stevenson could spin a rattling good yarn with deceptive ease. He was a writer with profound psychological insights – think of Dr Jekyll and Mr Hyde – but he knew how to write concise, clear and uplifting prose. Over the years he’s suffered a little for being seen as ‘a children’s writer’ – imagine! – as if that is not something to be proud of. But in recent years the people who have always rated Stevenson highly (and that goes back to literary figures like Henry James) have found that his reputation has been rising. Edinburgh, his childhood home from which he had to depart because of his consumptive illness (he died in Samoa in his mid-forties in 1894), has played its part in celebrating his life and work.

And this Bookclub has done its best, too. I hope my moment of self-indulgence has made for a good programme, just as the chance to select some favourite readings and dramatizations from the Radio 4 Archive will give you some pleasure when it is broadcast on Saturday on Radio 4 Extra throughout the morning (and again in the evening – what an embarrassment of riches…) 

You can listen to James Naughtie - I love to Read on Â鶹ԼÅÄ Radio 4 Extra . 

 

Happy reading,

 

Jim.

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Radio 4 Extra: Corruption Season Fri, 28 Oct 2016 08:05:59 +0000 /blogs/radio4/entries/9f87b0e6-da65-4440-9b4e-dd75e8b307e0 /blogs/radio4/entries/9f87b0e6-da65-4440-9b4e-dd75e8b307e0 Peter Reed Peter Reed

Dastardly! Dishonest! Deceitful!  Dare we entice you to enjoy 4 Extra’s Corruption Season of comedy and dramas shining a spotlight on unethical or fraudulent conduct. Catch crooks, racketeers, charlatans and swindlers galore:   

Alexander Morton stars as hard-boiled detective, John Rebus in Ian Rankin’s hard-hitting thriller uncovering the dark underbelly of 1990s Scotland.     Saturday 29 October, 6.00 – 7.30 5am (rpt 4.00 – 5.30pm)

Robert Bathurst stars in Jonathan Coe's wickedly funny, black comedy, inspired by the immorality, greed, corruption and ambition of 1980s Britain.  Adapted by David Nobbs in 8-parts and stripped across 4 Extra’s Comedy Club.     

Saturday 29 October – Friday 4th November
Ep 1-6/8 - 10.30 – 11.00pm Saturday 29th October – Thursday 3rd November
Ep 7-8/8 double-ep conclusion: 10.00-11.00pm Friday 4th November

Philip Glenister and Angela Wynter star in Caroline Gawn’s stylish detective story where a daring and amoral female crook pits her wits against a top policeman.      Monday 31 October - 10.00 – 11.00am (rpt 3.00 – 4.00pm)

A flood on a housing estate ends in death and the revelation that corruption and cynicism lie behind the building of houses on a flood plain. Stars Neil Dudgeon.   Tuesday 1 November - 10.00 – 11.00am (rpt 3.00 – 4.00pm)

Lynda Baron, Anne Reid and Pik-Sen Lim star in Kevin Wong’s quirky comedy drama about corruption, adultery and fraud… in a crown green bowling club!     Wednesday 2 November - 10.00 – 11.00am (rpt 3.00 – 4.00pm)

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